DIDI (2024)

Written & Directed By: Sean Wang

Cinematography: Sam Davis 

Editor: Arielle Zakowski

Cast: Izaac Wang, Joan Chen, Shirley Chen, Zhang Li Hua, Mahaela Park, Raul Dial, Aaron Chang, Chiron Cillia Denk 

In 2008, during the last month of summer, before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.


As one gets older, coming-of-age films seem to have less relevance. As we get further from that age nostalgia is as strong as it could be. It could be that these films recently set more when the older audience Were adults.

So while a nice look back, it might leave them with very little connection. No, I’m sure that they connect with certain audiences though are they made more for teenagers who can identify and are around the same age as the characters or more for those who were recently around that age and would have grown somewhat now can look back and identify

this film could’ve been set during modern daytimes even as the film timestamp seems to be the early 2000s and allows a look back at the burgeoning technology of my space flip phones, home video cameras, and America Online chat rooms. This might have been done so the film could be an autobiographical look for the writer-director or trying to make it seem more simplistic than today’s complicated technology rule times either way it fires not to be or not seem like a gimmick.

What ends up making the film feel universal is the awkwardness of the main character as he isn’t too clearly defined yet to us in the audience or even himself as he tries on different interests and identities that seem to go, but so far before crashing and making himself into what he believes others expect but always making a mistake and doing the wrong thing which he punishes himself for. He can’t be himself because he hasn’t quite figured that out.

This starts After being rejected and embarrassed by his friends when he is himself he lashes out at his family, particularly his mother who is having her own domestic problems, which he chooses to either close his eyes or not to truly acknowledge but she never wavers in her love for her son or her family. No matter how mean he can be.

She seems to be the one of the few who truly loves him unconditionally. as well as his sister even though they fight there seems to be a tough love there

The film is heartwarming overall even if it has its obstacles to get there, it does feel natural and fresh because there is an innocence, but never feels sugarcoated

The film, constantly states, awkward though one of a kind showing an Asian American family in this type of genre and most of the characters being of color and commonly Asian. It’s a nice film of culture that doesn’t make the whole film about that only even if the film is at heart about identity.

Grade: B

MISSING (2023)

Written & Directed By: Nick Johnson & Will Merrick

Story By: Sev Ohanian and Aneesh Chaganty

Cinematography: Steve Holleran

Editor: Austin Keeling & Arielle Zakowski 

Cast: Storm Reid, Nia Long, Ken Leung, Megan Suri, Amy Landecker, Joaquim DeAlmeida, Tim Griffin, Daniel Henney, Lauren B. Mosley, Jasmin Savoy Brown

After her mother goes missing, a young woman tries to find her from home, using tools available to her online.


This film is a good mystery, and will especially be a pleasure for homes loose in the audience. Especially true crime podcast audiences, who get shoutouts, and the film makes you feel like you are experiencing one of them.

It’s all about the reveals, but letting us know just enough information to see if we can get there first. 

The first film, SEARCHING, was about learning all about who the father-daughter was, different from who he thought she was, and a kind of race against Time. Which this film offers similarly to an extent. Both films are told through modern technology. This one has more at its disposal. As we have gotten more innovations over the years  

This film seems to be more about things at once, buried from the past coming to light and seeking revenge. Also comes across a bit more smooth and streamlined yet not as shocking as the first.

This film is perfect for these days as it is innovative while keeping that procedural feeling and getting to know the lead character along the way 

It also offers to show the appeal for older audiences getting to know the technology used so much so that shocked that it didn’t have cross-promotion with Apple to help sell because there is plenty of product placement 

It also offers a new  friendship for the main character to bounce off of who helps along the way 

We are given glimpses throughout, yet we are taken on by putting this puzzle together in front of us yet it offers a chance for us to put it together before being explained so that it feels more interactive

The third act feels a little far-fetched and reaching 

The film is a crowd pleaser and better to watch at home not necessarily the theater as it might feel a little more realistic, watching it on the screen 

The film is satisfying, which is becoming rare these days. As even though this film has a gimmick, it still focuses on character and story whereas it seems at times a lot of films get lost in the gimmick, or promote the gimmick and sacrifice the other things that would make the film, satisfying or even good 

This film is definitely a product of its time in the modern era. It’s over the top but lets you know what to look for in a modern-day mystery. 

Grade: B