HURLY-BURLY (1998)

Directed By: Anthony Drazan
Written By: David Rabe (Screenplay/play)
Cinematography: Changwei Gu
Editor: Dylan Tichenor 

Cast: Sean Penn, Kevin Spacey, Robin Wright, Meg Ryan, Garry Shandling, Anna Paquin, Chazz Palminteri 

Hollywood movers and shakers dissect their own personal lives when everything seems to clash together.


Based on a play this film feels very theatrical. Though it never comes alive or feels vivid it more feels like everyone is going through the motions. 

Even as it shows the dark side of Hollywood as the characters aren’t likable at all. They never exactly redeem themselves. We just keep watching them torture themselves and others in this kind of well dressed he’ll

As the lead character of Eddie seems to be the only character who realizes that he should loath his actions and character 

While the trailer makes the film Look exciting and alive. Watching it feels drab and almost colorless. Strangely it feels like while there is a great cast most of them feel miscast. 

Again though originally a play. Being set in Los Angeles it feels like the movie should feel more open. The film sometimes leaves the apartment that is shared by the two main characters but not enough. As Los Angeles is a place where your home is kind of your sanctuary but it is also Hollywood and the characters are all involved in that life. Which requires being more social and going places 

It’s not a total loss as the cast are all serviceable in their roles. Most seem to try so hard to be out of their usual roles and onscreen personae they are known for. 

Sean Penn brings his usual immersion to the role and feels electrifying no one else feels that way except maybe Garry Shandling, that is more him playing a producer creep that feels inside of his wheelhouse.

Kevin Spacey is fine in his role but his dyed blonde hair is distracting. Meg Ryan is good in her role and quite natural but it also feels like stunt casting 

None of these characters would you like or want to really spend any amount of time with. Though they complain quite a bit. These are characters who work for a theatrical price because you stay for the acting and character more than the story and are more trapped with them in play form. If only for the amount you paid to see it and made an investment and are not going to walk out as easily. When it comes to film you care about acting and characters, but an audience usually mostly is interested in where the story is going and plot and if it doesn’t move it feels stuck 

Maybe if director Anthony Drazan wouldn’t direct it as he is more a theater director and he can refine the performances and lock but a different director might have tried to make it more visual and open the movie up even though admittedly as a theatrical piece the strength is in the script, performances, and dialogue. The film called for more of a director with flair visually. 

So this feels like an all-star cast wasted not on a project not worth their time but one that doesn’t live up to its pedigree.

Grade: C+

X-MEN (2000)

Directed By: Bryan Singer
Story By: Tom DeSanto & Bryan Singer
Written By: David Hayter 
Cinematography: Newton Thomas Sigel
Editor: Kevin Stitt, John Wright & Steven Rosenblum 

Cast: Hugh Jackman, Anna Paquin, Patrick Stewart, Ian McKellen, Famke Janssen, James Marsden, Halle Berry, Rebecca Romijn-Stamos, Bruce Davison, Tyler Mane, Ray Park, 

In a world where mutants (evolved super-powered humans) exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X-Men.


While it was one of the first Marvel movies and one of the bigger superhero series of films to come to the big screen. It seems like it is more remembered as the arrival of -actor Hugh Jackman as a leading man. As in the role he was rebellious and full of charm And swagger. Which pretty much saves the film. As he is also our guide into the world of the film. Even after being introduced ways in.

The film has plenty of special effects which are expected, but strangely feels bland not only now but even when seeing it in the theater after its opening weekend.

At first, I was a bit put off by grown adults running around in costumes. Thinking it would look silly. Sort of like a professional wrestler dressing the same In Real life and that being their personality. Luckily here it is more modern, stylish and leather. So not as bad as one might think.

Other than Hugh Jackman, Patrick Stewart is good in the film. The other scene stealers are Rebecca Romijn and the always excellent Ian McKellen.

As one of the first of its kind before the superhero movie boom took effect. Which this film is responsible for. It was exciting watching this film. As there are some expectations but also the feeling that the sky’s The limit. So you are ready for whatever it wants to throw. Here it is fantasy but also a harsh dose of reality. 

Anna Paquin as Rogue is at the center of the film. Though other than the opening the character and performance go more into the background. More as a damsel in distress and comes off as boring (a fate that would last throughout the franchise of the movies she appeared in) 

She Is supposed to Have this grand peer that in later films makes better characters and even here the villains are after badly. Then turn her more into an afterthought. Especially in comparison to the other films.

This is why Hugh Jackman’s character introduction into the mutant world being also the audience works better. Also as he doesn’t seem to be as ashamed of himself.

The film seems like director Bryan Singer was a little bit over his head and out of his element. As he was trying to create this fantastic world and bring it into reality but also on a certain budget. That would be doubled if not tripled in today’s film market. So the film at times feels like there is some cost cutting. When certain scenes feel like they should be more open and extravagant. This might be why the film feels like it never achieves a grandiosity you hope for, the later films filled in and that was more what they were all about. 

Bryan Singer usually has a cold and distant directing style that is more clinical. Which doesn’t always match the material here. As it is more a comic book film comes to life. Made more for adults, but it also seems drained of much fun and humor. Not to mention cramming a lot into one film.

Look at the character of sabretooth wolverine’s nemesis in the comic books. He is dealt with and almost soon forgotten. Treated more like an ineffectual henchman.

Other than magneto and mystique goes for the rest of the villains. Who never comes across as any true threat. Just more like distractions.

The film isn’t as grand or spectacular as you would think a film of this magnitude should be.

It’s strange Director Bryan Singer when he started his career made vivid thrillers and dramas that were filled with good performances and creepy nature. That seems to have avoided those types of films. Which of anything tended to show his strengths.

Then he started more to make big budgeted special effects loaded fantasy films that while good to passable show more of his weaknesses

As a director, he brings a certain prestige to his films, and maybe as a director who is distant and ambiguous that works. Especially when your film is more about special effects than characters and acting. 

Here He seems to try and mix the two which ends up not working as elegantly as hoped for. As a director, you are required to have a much more sly hand. Which isn’t here. As he never builds the characters before the effects. Here it seems the reverse.

Not to mention all the personal controversy he has had more recently. 

GRADE: C+

SHE’S ALL THAT (2000)

shesallthat

 

Directed By: Robert Iscove
Written By: R. Lee Flemming Jr.
Cinematography: Francis Kenny
Editor: Casey O. Rohrs 


Cast: Freddie Prinze Jr., Rachel Leigh Cook, Jodi Lyn O’Keefe, Paul Walker, Dule Hill, Tamara Mello, Gabrielle Union, Matthew Lillard, Kevin Pollak, Anna Paquin, Kieran Culkin, Elden Henson, Usher Raymond, Kimberly “Lil’ Kim” Jones, Clea Duvall, Debbi Morgan, Tim Matheson, Chris Owen, Ashlee Levitch, Vanessa Lee Chester, Carlos Jacott, Alexis Arquette, Katherine Towne, Brandon Mychel Smith, Milo Ventimiglia, Sara Rivas, Flex Alexander 


A high school jock makes a bet that he can turn an unattractive girl into the school’s prom queen.

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