BOY KILLS WORLD (2024)

Directed By: Moritz Mohr 

Written By: Tyler Burton Smith and Arend Remmers

Story By: Moritz Mohr and Arend Remmers 

Cinematography: Peter Matjasko 

Editor: Lucien Barnard 

Cast: Bill Skarsgard, Jessica Rothe. Yayan Ruhian, Andrew Koji, Isiah Mustafa, Famke Janssen, Brett Gelman, Sharito Copley, Michelle Dockery 

Boy, a mayhem machine with a hilarious inner voice, has been trained from childhood by his mentor to assassinate the bloodthirsty Hilda Van Der Koy and avenge his family’s murder. Guided by his little sister’s mischievous spirit, Boy uncovers one stunning revelation after another as he barrels toward Hilda, leading to a shocking, carnage-crazed finale.


Though not quite a b-movie, this film would go well on a double feature with a hobo with a shotgun. As both films have their own extremes, but both feel more like a comic book or a video game watching them,  this one is less exploited and filled with more action and violence. However, the film does create quite a crazy world and builds somewhat from there.

Even if it still always feels a little bit like a Third World country. 

Ultimately, a revenge tale in a totalitarian land far off from any reality, the film combines all types of action, hands, hand weapons, and knives, and Wiley does have plenty of comedy and adrenaline impact action that is literally balls to the wall that can become ridiculous. It’s a film where so much keeps happening, and there are so many quick cuts that you kind of get used to it and it constantly tries to up the auntie though not quite to its best  advantage

It has quite an impressive cast, and Bill Skarsgård does his all to be an action hero, who literally is mute but is voiced by the narrator of his favorite video game, who gives voice to his thoughts, even though he can’t really talk. Though he comes more as an action character here than he did in JOHN WICK 4

It also costars Andrew Koji, who is almost unrecognizable, and his role, though is quite hilarious, handles his action scenes as usual.

It has the man Yayan Ruhian from THE RAID movies and he proves as usual to be just as dangerous and badass here as he was in those films and it’s just amazing in the action sequences. Even if more in a supporting role. 

The film is inspired. I heard the soundtrack before I saw the film which hyped me up for the movie unfortunately it doesn’t quite match.

this is a movie that is more about style and feels a bit long as one can appreciate them building the story in the beginning, but it didn’t need to take that long to get to the real heart of the film and what the audience came for just a bit too long it is worth your time

The action sequences are breathtaking and quite impressive as it is the film’s bread and butter. it’s quite imaginative and very inspired.

Though this might be a case where all that you wanted, and it’s not measuring up or being as magical as you had hoped or thought it  would be

This is definitely a film for those action junkies out there who will probably love it, though others might find it a little monotonous at times as it keeps seeking to impress the target audience

Grade: C 

SNAKE EYES: G.I. JOE ORIGINS (2021)

Directed By: Robert Schwentke
Written By: Joe Shrapnel, Anna Waterhouse & Evan Spiliotopoulos
Story By: Evan Spiliotopoulos 
Cinematography: Bojan Bazelli
Editor: Stuart Levy

Cast: Henry Golding, Andrew Koji, Haruka Abe, Samara Weaving, Iko Uwais, Takehiro Hira, Peter Mensah, Eri Ishada, Ursula Corbero

A G.I. Joe spin-off centered around the character of Snake Eyes.

The other G.I. Joe films were over the top here this film goes more for espionage and action-adventure tone. then towards the the end it becomes a free for all of just action that becomes a little too cartoonish with real weapons. As It becomes a stunt show more than anything 

The film plays serious for the most part early on and then we get to scenes where there are tests to pass to become a member of the clan and one of them involves Other gigantic monster snakes. Those are the more ridiculous components of the previous films. Though here they only come once in a while. Instead of staying constant.

Truthfully this is a film that doesn’t need to be made. Though it Offers a new revision to the rivalry between Snake eyes and storm shadow with a whole new history. Even though it has played out or been hinted at in the previous films.

That you know is coming as soon as you see a heroic character in the all-white suit that is known to the true die-hards. 

Strangely In trying to give snake eyes a full origin story they still never address his vow of silence and not only doesn’t happen but is still never explained. I am guessing they were hoping for a hit and figured maybe a sequel could. Sort of like the studio’s own WOLVERINE franchise outside of the X-Men films of the time. Even setting up a possible love interest.

The film obviously keeps calling for a sequel. Even though most good action films usually have a memorable villain. Here half the time there is so much infighting you forget who the real villain is and when you do he is so unimpressive and more a means to an end. He is instantly forgettable. The only villain of interest here is the baroness played by Ursula Corbero and she is more of a right-hand woman. Left with little to do 

The only star in the film or of any recognizable star is Samara Weaving, Who plays Scarlett and comes in a supporting role, but more an extended cameo and comes off more like Black Widow from the Marvel movies. Here she appears and seems to know mroe than she is letting in and is the coolest in the room.

As before she is even introduced this film plays like a random Asian-themed action-adventure Tale. Once she appears it ties the film more to the franchise and then starts to get a little more ridiculous. As it goes from personal vendetta between clans an all-out global terrorism threat.

As Henry Golding here just seems to be building his stardom from previous films like CRAZY RICH ASIANS which made him a star. Here this is one of his first leading action hero roles.

The film is stylish and tries not to call Too much attention to itself though at times it does feel like overkill as it just comes across as too smooth and ends up feeling dull. 

Understandable why This film was made like Wolverine one of the mroe recognizable characters and popular but also trying to jump-start the franchise which other characters should you choose to have an origins tale that the audience would want to see. This shows mroe of a last grasp for the franchise rather than a reboot.

As it gives the audience somewhat, what they want, but never seems to realize part of the fun of the character was like The Joker never truly knowing their past and making up their back to the story in their head and any clue felt like a new revelation. It is what was both it seemed revolutionary when it came to the FRIDAY THE 13TH reboot and what ruined it for audiences. We like the magic and the tricks and think we want to know how they were done, but once it Is, it is now spoiled and can’t look at it as magical and worse now feels more basic. 

The truly only badass character was the older female head of the family seen as she was the only one who barely needed a weapon to take our horses if enemies only using her fan where everyone else is using blades or guns 

Action movies often have more victims than horror but we believe the horror of being worse for society. Why because in horror the killing seems more personal and we see them in great detail and watch as the film seems to delight in these aspects whereas in action It’s brief but then again in action, it shows more nonchalance towards not only life but individual ones  making them seem more EXPENDABLE 

Both people are more expendable in a war between two characters that is personal. So everybody pays the price for two egos. 

Grade: C-