THE ACTOR (2025)

Directed By: Duke Johnson 

Written By: Duke Johnson and Stephen Cooney 

Based on. The novel “MEMORY” by: Donald E. Westlake 

Cinematography: Joe Passarelli 

Editor: Garret Elkins

Cast: Andre Holland, Gemma Chan, Toby Jones, Tracy Ullman, Joe Cole, May Calamawy, Tanya Reynolds, Youssef Kerkour 

When New York actor Paul Cole is beaten and left for dead in 1950s Ohio, he loses his memory and finds himself stranded in a mysterious small town where he struggles to get back home and reclaim what he’s lost.

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This is a strange film as it is beautifully film, offering surreal, imagery, mystery, nostalgic throwbacks in a bit of artificiality that the film leans into when it comes to fading memories, or one memory leading to another and connected 

What a strange about this tail is that it plays a bit like film noir it seems to want to head that way, so it plays more like a romance, as well as a psychological character drama that fully tries to illustrate the lead characters, fractured, memories, and emotional state due to this condition 

Though ultimately the problem with the film is that it doesn’t really go too many places it explores the situation, but you never know where exactly it’s headed and it still doesn’t really offer any answers and what it does. They’re not really that big revelations so you wonder what are we supposed to do with this And even though the film doesn’t outright explain anything we’re able to get answers through small little clues

Obviously, the film deals with identity, and whether this is truly the person’s identity stripped away, and who he was before was always an act. This is more the emotional vulnerable him or is he in fact, truly a different person.

Just as we are left a question what’s real as the film is obviously filmed more on sites than actual locations and can easily walk over to the vaccine or memory, but it makes it not only a movie but also makes it feel more staged, but also loose in itself as there is obviously a design to it all, but you never know where it’s gonna go so more like an outfit from the runway, though in the parameters of an outfit that someone could wear daily, but still with that wild streak. As the sets work to show that each time he moves on, he is in a new scene or a new set for him in his life. 

If anything, the film plays more like a dramatic romance that is dreamlike and fits in with movies such as MOOD INDIGO, and THE SCIENCE OF SLEEP where it’s more about the creative forces,  presentation and artistry on display. As the films and the filmmaker seemed to get lost in their imagination and while it all looks good by the end, it doesn’t come too much

Though it all looks pretty and it does entertain it’s very light on material, even though there is plenty of depth. Though sometimes that creativity seems like it is more there to either distract or make up for the lack of action.

Though this film is admirable, if you give it a chance for its beauty and what it attempts to do not to mention where it takes you to and leaves you for you more interpret as it is sweet and old-fashioned now using more modern storytelling techniques. Not to mention the bravery of the filmmakers to make this film and live in the moments.

Another aspect that keeps the film feel more like a stage plays is that some of the noticeable and notable actors play at least three different roles throughout. Usually minor but meaningful ones. That come In each phase or territory that he travels to. 

Andre Holland in the lead is excellent as usual, truly showing his leading man presence, looks and vulberability. Gemma chan as the female lead is so precious though one wishes she was given more to do and play with. Even as with that decision she plays more of a sweetheart who the audience falls in love with, as she is truly innocent throughout.

Hopefully this will be a film that is discovered and studied by Audiences In the future and not just an undiscovered gem. That while shiny isn’t as heavy as it should be. 

by the end, you just wish that it had more to say and something you can grab a hold of so that it could truly match its beauty

Grade: B-

BONES & All (2022)

Directed By: Luca Guadagnino
Written By: David Kajganich 

Based on the Novel By: Camille DeAngelis
Cinematography: Arsani Khachaturen 
Editor: Margo Costa 

Cast: Taylor Russell, Timothee Chalamet, Mark Rylance, Michael Stuhlberg, Andre Holland, Jessica Harper, Chloe Sevigny, Sean Bridgers, David Gordon Green, Ellie Parker, 

A story of first love between Maren, a young woman learning how to survive on the margins of society, and Lee, an intense and disenfranchised drifter, as they meet and join together for a thousand-mile odyssey that takes them through the back roads, hidden passages and trap doors of Ronald Reagan’s America. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.


This is a film where you can watch and read into what you believe. As that seems to be its purpose. 

As it shows what can be the life of an addict. As the characters aren’t exactly junkies as they can go through periods of time without feeding but they know sooner or later they will have to feed to an extent and can’t quit and it can’t go away. So you can look at it as a story of addiction to a degree. 

This would explain why most are drifters and look trashy.

Though it is also a story of loneliness as they can detect one another and seem to need or desire to be around one another. Though the can’t completely trust one another. Though for little excursions they aren’t completely monsters or even vampires because at least as a vampire you have an epic weakness but it comes with supernatural powers. A kind of trade-off and a slice of life.

Though also as a predator and getting closer to their victims they have to play roles and have to invent and invest themselves in their lives. So that they get a glimpse into other’s lives as do we in the audience and have something to take away from it all, but also living a certain life and adventures for a while.

It’s no surprise the film is based on a young adult novel. At heart, it is a coming-of-age story of a girl who is 17 and is introduced to a world she has no training in and has to survive for herself through. Discovering the world is only a different one than most of us are used to. She also meets her first love and for a chunk of the film, we see their romance. Where they need one another to survive and she learns from him how to manage that life 

It’s another film for director Luca Guadagnino to present a forbidden love story or an unorthodox one here. 

It doesn’t eroticize violence or even sex. While there are both in the film. There isn’t an abundance of either. There are plenty of emotions and plenty of stand-alone scenes of suspense. As this film works in that way. There are some great scenes and the rest of the film is what you have to go through to get to them and inform them more.

The whole cast is superb and as always Mark Rylance Steals the movie. As the closest to a villain, the film has thought he comes across more as disturbed, sad and lonely. Though a one-scene cameo from Michael Schulberg is also a show stopper.

Though at times it does feel less random when it comes to the supporting cast and more like scenes that have been designated for guest stars that are important for the overall story, but still a little glad standing or too planned and it 

The two leads Taylor Russell and Timothee Chalamet impress as a kind of 1980’s lovers on the run in the Midwest that might remind some of BADLANDS for all the landscapes and relationships. Only they aren’t that vicious. As the first half of the film at least gives some direction as she searches for information about her mother. Though after that the film isn’t aimless but focuses more on trying to figure out a future.

It’s a film of a certain time period but not about the time period. As it explores some of the cultures of the time without it being dependent purely on pop culture or exploring the events of the time period when it takes place 

I can’t say I loved the film, but it is a film That challenges an audience not necessarily with shocks or endurance, but by not giving them what they want or stowaway. Not what they expect and offering a different point of view rather than the popular or most obvious one 

Which one tends to be a fan of as sometimes you feel like you are in on it. If you know what to expect or an experience that you know will challenge or upset others around you. Only they have no ideas what they are in for 

How we all long to make connections and how when we do it feels so special and one of a kind as we have the same afflictions, passions, and desires that no one else can understand.

The way it is presented finds a kind of beauty in a type of the ordinary and mundane of middle America. How something. So ordinary has extraordinary Bart things about it be it sights, land, mentality 

This is a film That if you pay close attention you will be able to find some kind of meaning for yourself and what the director is trying to present. Like the film purposely Challenges the audience It’s not cookie-cutter and is daring in It’s own right 

I give director Luca Guadagnino credit for trying to find beauty and substance throughout instead of making a typical or stylish horror film which it could have easily been. 

Grade: B-

HIGH FLYING BIRD (2019)

highflyingbird

Directed By: Steven Soderbergh
Written By: Tarell Alvin McCraney
Cinematography: Peter Andrews
Editor: Mary Ann Bernard 


Cast: Andre Holland, Melvin Gregg, Eddie Tavares, Zazie Beetz, Kyle Maclachlan, Zachary Quinto, Bill Duke, Sonja Sohn, Caleb McLaughlin 


In the midst of a pro basketball lockout, sports agent Ray Burke finds himself caught in the face-off between the league and the players. His career is on the line, but Ray is playing for higher stakes. With only 72 hours to pull off a daring plan, he outmaneuvers all the power-players as he uncovers a loophole that could change the game forever. The outcome raises questions of who owns the game – and who ought to.

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