BEAU IS AFRAID (2023)

Written & Directed By: Ari Aster
Cinematography: Pawel Pogorzelski
Editor: Lucian Johnston

Cast: Joaquin Phoenix, Nathan Lane, Amy Ryan, Richard Kind, Patti Lupone, Parker Posey, Stephen McKinley Henderson, Zoe Lister Jones, Kylie Rogers, Denis Menochet, Hayley Squires, Bill Hader

Following the sudden death of his mother, a mild-mannered but anxiety-ridden man confronts his darkest fears as he embarks on an epic, Kafkaesque odyssey back home.


This review isn’t a total explanation, as there is no such thing, but what at least as an audience member I came away with. 

The film and the director Ari Aster, Take a swing at the fences in subtle ways. In the same style as most of his previous films. Though here it is more in your have. Yet still shocking as it is taking place in surroundings you wouldn’t necessarily expect. 

Though the film does have a voice. It’s tough to determine if the audience speaks Its language fully. Though after a while it does become blunt with only a thin layer hiding the weapon. 

Though it feels like a film made more for the director to enjoy and decided to share with an audience. And becomes a Film That others believed in and a film that could only be made when one has the power to write their own check. Their big swing at a dream project almost. 

The first 40 minutes stay fascinating that it could be its own adventure. After that, it seems to become a little more maddening. As it moves along it stays unpredictable and becomes a road movie.

Whenever it gets to the next setup In this odyssey. It’s just as off the wall but feels more weird domestically than anything though it never quite feels as dangerous instead it just feels creepy.

As in the beginning, the character is on a journey physically unexpected just as he ends up on. emotionally. The tone becomes Unflinching, Surreal and ends up becoming the Ultimate guilt trip. While exploring Intimacy and lack of it. While being Terrorized by Anxiety and exaggeration. As All That he sees is danger.

No one can ever truly be trusted. Even those nice to him never feel comfortable exactly. So that he and the film stay obscure and unhinged. 

It explores how we all can be easily dismissive. Not to mention Generational trauma, Mental illness as a kind of entertainment.

The film becomes Episodically violent at times. That is A punishment or torture. That seems preferable to the emotional violence that the main character goes through. As well as supporting characters. 

It seems mundane and skewed but keeps raising the stakes and then when it seems to calm down it becomes random Again and manages to shock. So it keeps building though for some in the audience it might feel like it is either showing off or they get used to the wackiness and shock and it’s hard to reach a level within again as it seems par for the course. It might have its reasons to back it up, but for some, it might still make little to no sense. 

Can see why some might not like the film as it can be a chore or a challenge to sit through. Some might see it as brilliant others might actively hate it or some might appreciate it yet not think it was all that. This is one of those films where many will feel different and take it differently. Though it will keep them talking. 

As this is a film billed as a comedy that is easy to come back to and try to dismantle, explore and examine. 

Through his travels to his apartment and to the store across the street. Have some of the most creative action sequences on such a small scale.

SPOILER ALERT

How I saw it is that his Big balls represented pent-up animosity and feelings. Showing his father as a penis monster in the attic meaning that to his mother his Father was insignificant and just a dick. Him always being defensive to a degree is how Defense was the last shred of his self-esteem and self-respect. That his Mother’s issues and has filled him with fear of the outside world. As he has this fear he constantly doesn’t 

Know what was real or not. Was it a fantasy of projection or was it as it was presented and experienced?

Some might say that the ending is Warped and that he did die during sex and everything after are fantasies or illusions of his dying mind. Kind of like people who have their theories about the ending of TAXI DRIVER.

Though it does in some weird way come off as a more disturbing version of DEFENDING YOUR LIFE mixed a bit with THE GAME. 

Grade: B-

ESCAPE PLAN (2013)

ESCAPEPLAN

Directed By: Mikael Hafstrom
Written By: Miles Chapman & Arnell Jesko
Story By: Miles Chapman
Cinematography By: Brendan Galvin
Editor: Elliot Greenberg 


Cast: Sylvester Stallone, Arnold Schwartzenegger, Amy Ryan, Jim Caviezel, Curtis “50 Cent” Jackson, Vinnie Jones, Vincent D’Onofrio, Farin Tahar, Sam Neill, Graham Beckel, Matt Gerald

Ray Breslin is the world’s foremost authority on structural security. After analyzing every high security prison and learning a vast array of survival skills so he can design escape-proof prisons, his skills are put to the test. He’s framed and incarcerated in a master prison he designed himself. He needs to escape and find the person who put him behind bars.

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LATE NIGHT (2019)

latenight

Directed By: Nisha Ganatra
Written By: Mindy Kaling
Cinematography: Matthew Clark
Editor: Eleanor Infante & David Rogers

Cast: Emma Thompson, Mindy Kaling, Hugh Dancy, Reid Scott, Denis O’Hare, Max Casella, John Lithgow, Paul Walter Hauser, Luke Slattery, Amy Ryan, Ike Barinholtz, Megalyn Euchikunwoke, John Early, Seth Meyers, Annaleigh Ashford, Halston Sage, Maria Dizzia

Katherine Newbury is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women,” she puts affirmative action on the to-do list, and –presto!–Molly is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Wanting to prove she’s not merely a diversity hire who’s disrupting the comfort of the brotherhood, Molly is determined to help Katherine revitalize her show and career–and possibly effect even bigger change at the same time.

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BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE) (2014)

birdman

Directed By: Alejandro González Iñárritu
Written By: Alejandro González Iñárritu, Nicolas Giacobone, Alexander Dinelaris & Armando Bo
Based On The Writings of: Raymond Carver
Cinematography: Emmanuel Lubezki
Editor: Douglas Crise & Stephen Mirrione

Cast: Michael Keaton, Edward Norton, Emma Stone, Amy Ryan, Zach Galifianakis, Andrea Riseborough, Naomi Watts, Lindsay Duncan, Merrit Wever, Damian Young, Paula Pell, Bill Camp, Stephen Adly Gurgis

Riggan Thomas, once known quite well to movie theater goers as an iconic super hero called “The Birdman” had recently turned down a third installment of the franchise. Now washed up, he attempts to reinvent himself as a director by staging a new retelling of a classic Broadway dramatic play called “What We Talk About When We Talk About Love”. The events leading up to the Saturday night premiere prove to be one disaster after another as the original lead actor is injured while on set and Riggan scrambles to find a replacement, but the replacement proves to be exactly who he needs – a method actor who takes the job way too seriously. But Riggan has a hard time juggling between the set, his replacement actor, his equally washed up daughter, and a host of other disasters that prevent a proper staging of the play. Meanwhile, a New York Times critic who Riggan has to woo threatens to shut down production of the play before it even starts with a scathing review of the dress rehearsal. Does Riggan have a hit on his hands or will he even make it to opening night?

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BEAUTIFUL BOY (2018)

beautiful-boy-carell-chalamet

Directed By: Felix Van Groeningen
Written By: Luke Davies & Felix Van Groeningen
Based On The Books “Beautiful Boy” & “Tweak” By: David Sheff & Nick Sheff
Cinematography By: Ruben Impens ”
Editor: Nico Leunen 

Cast: Steve Carell, Timothee Chalamet, Maura Tierney, Amy Aquino, Timothy Hutton, Amy Forsyth, Amy Ryan, Andre Royo, Kaitlyn Dever, Lisagay Hamilton 

Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.

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THE INFILTRATOR (2016)

infiltrator

Directed By: Brad Furman
Written By: Ellen Brown Furman
Based On The Book By/on: Robert Mazur
Cinematography By: Joshua Rais 

Editor: Luis Carballer, Jeff McEvoy & David Rosenbloom 


Cast: Bryan Cranston, John Leguizamo, Diane Kruger, Benjamin Bratt, Amy Ryan, Jason Issacs, Olympia Dukakis, Jospeh Gilgun, Juliet Aubrey, Yul Vasquez, Art Malik, Michael Pare, Said Taghmaoui, Elena Anaya, Carsten Hayes 


 A U.S. Customs official uncovers a money laundering scheme involving Colombian drug lord Pablo Escobar.


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