COCAINE BEAR (2023()

Directed by: Elizabeth Banks
Written By: Jimmy Warden
Cinematography: John Guleserian
Editor: Joel Negron 

Cast: Keri Russell, Margo Martindale, Ray Liotta, Alden Ehrenreich, O’Shea Jackson Jr., Isiah Whitlock Jr., Jesse Tyler Ferguson, Ayoola Smart, Brooklynn Prince, Matthew Rhys 

An oddball group of cops, criminals, tourists, and teens converge on a Georgia forest where a huge black bear goes on a murderous rampage after unintentionally ingesting cocaine.


This isn’t Another SNAKES ON A PLANE.  where the title not only says it all but is more built on hype than story. As this is partially based on a true story. What It revels in are shocks and more shocking humor.

A dark comedy that some might consider a bit macabre. 

As going along with the title the film seeks to have a need to push things as far as they can with characters who represent a different part of the audience. Though In the end a lot of them come across more as caricatures set up for impending doom.

The film is more built on sensationalism. As that is what you feel as you watch it as it is more, check your brain at the door. 

The bear is a beast that seems to be like jaws as it shows up from time to time with no rhyme or reason except the script needs it to on its hint for more drugs that seem to drive it to be more aggressive than in the final act throws a curveball as to why it should be spared 

More of an ensemble than expected. As we see the reasons why some of them are there to either survive. We root for or see their demise in inventive ways. Either way, before long l we get to know them To some capacity excellent and bad 

The film Calls itself a horror comedy and while it has violent gore and jump scares it comes across as a  Violent comedy with surprises and thrills. That is meant to be fun more than anything. 

It thoroughly Exploits its Set time period of the 1980s overly but overtly 

For what it does offer there always seems to be the feeling that something is missing. It should be a bigger film or story. Though that might be personal for this reviewer. As it certainly provides enough for a cinematic experience and audience expectations.

As it goes the places you expect, there seems to be so much more that could have been done but too grandiose as this works better as more of a contained story. 

While you are still on the edge of your seat you never truly consider most of this believable. Like Jurassic park, it’s an animal world of nature. They know it as they live it. The characters just inhabit it and struggle to survive. As they were the ones to disturb it and throw it off-center.

Its strength stays in the attack sequences that are more like set pieces. The ranger’s cabin, The Ambulance sequence, and The Tree Climb, they are both massacres but also memorable comedic sequences that go over the top.

Cocaine bear is an example of a movie that promises to go balls to the wall but only

Goes so far. It’s when a film tries too hard to be campy and misses what makes most films campy in the first place. Just believing it knows. It’s more mainstream reaching to be more out there but not knowing exactly how

Grade: C+

TETRO (2009)

Written & Directed By: Francis Ford Coopola 
Cinematography By: Mihai Malaimare Jr. 
Editor: Walter Murch 
 

CAST: Vincent Gallo, Carmen Maura, Maribel Verdu, Alden Ehrenreich, Klaus Maria Brandauer, Leticia Bredice
   

Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie’s discovery of his brother’s near-finished play might hold the answer to understanding their shared past and renewing their bond.

This film had it’s fair share of problems before it started. Matt Dillon dropped out of the lead role. Francis Ford Coppola felt the film was too close to RUMBLE FISH, so he was kind of glad he dropped out. But still decided to film it in the same way in black and white with flashbacks in color though diluted. 

Javier Bardem was cast as The Tutor but Coppola felt it would be more dramatic if the role was played by a woman. Then Francis ford Coppola’s only copy of the script was stolen when thieves broke into his home studio in Buenos Aires where his only copy of the script was so he had to pay a ransom to get it back. 

I wish I could say it was all worth it. Coppola has called this a personal film and it shows his attention to the characters and the drama between them, but as it may mean something deep to him it just didn’t come off that way. To me, it came off overwrought after awhile the film mainly deals with each of the characters and their daddy issues while everything is presented and built like an opera, but many art forms are featured in the film Dance, Novels, Plays, Stripping, Performance Art, Music. Yet it doesn’t come off too much as pretentious.

The film is truly beautiful to look at it’s a technical marvel as many of the scenes look sumptuous. I imagine it is truly a marvel on Blu-ray. I think I definitely would have had a greater appreciation for the film had I seen it on the big screen. I mean even Coppola himself considers this his most beautiful looking film and obviously I agree. (though BRAM STOKER” DRACULA is pretty good competition) 

While I really wanted to like the film. I was disappointed. The film came off as melodramatic a lot of times. I really couldn’t get into the film I loved looking at it but never felt any general emotions. The film feels timeless like it could have taken place at any time. Yet the film is too long.   

The story is of Tetro who ran off to Buenos Aires to get away from his great composer father to be a writer and he hasn’t come back to the states since so when his little brother who is working on a cruise ship comes to visit he is both happy to see him but can’t wait for him to go back. 

They get to catch up but before he can leave the brother is hit by a motorcycle and is forced to stay by Tetro’s girlfriend where he discovers Tetro’s thinly disguised novel and finds out the real reason his brother ran away. 

The film is built like a grand old-style classic movie. It has layers as this one character and his decisions affect those around him. As his father’s ego did to him. How each character caters to him. I’ll admit Vincent Gallo always interests me as a person and actor/director here he does a good job with the lead performance where he isn’t called onto to emote until the end and doesn’t have too many lines. Everything is mainly told about him through actions but he is as volatile as ever. 

The actresses are all beautiful and can be quite distracting. The film Is rich with many things and I wish I could give it a higher grade but in my heart, I can’t.
 
It is a good film to put on with the volume off and have on in the background, but other than that I can only suggest it as a rental. 
 
GRADE: C