GENIE (2023)

Directed By: Sam Boyd

Written By: Richard Curtis

Cinematography: John Guleserian 

Editor: Heather Persons

Cast: Melissa McCarthy, Paapa Essiedu, Denee Benton, Jordyn McIntosh, LaChanze, Tate Ellington, Alan Cumming, Marc Maron, Luis Guzman, Ellen Cleghorne 

The film is a fairy-tale comedy about a workaholic man who enlists the help of a magical genie to help win his family back before Christmas.


This is your typical holiday fare, where yes it’s predictable and silly, but it’s also heartwarming and tries to remind you what is important about the holiday and life In general.

What makes this one a bit more intriguing is its cuteness and Melissa McCarthy. Who may as she didn’t originate this project. Isn’t all over the production, but also plays a charismatic and fun character. Rather than trying to create an iconic comedic character who is either sloppy, stupid or over the top. Here she is playing a comedic character, but one with heart and who resembles a character and not a bunch of jokes that are needed.

Ultimately the movie seems to be about wish fulfillment, but at the end of the day, it tries to show that friendship and family are what is the most important gifts you can have in life. 

Alan Cumming seems wasted in his very few scenes. It seemed like he was a big name to be put into the cast. 

The film is written by noted screenwriter Richard Curtis the man who wrote films such as LOVE ACTUALLY, FOUR WEDDINGS AND A FUNERAL, and ABOUT TIME. This might be why the film is charming more the storytelling and not so much the visuals. 

Is it the best Christmas movie you will see? No, but it does make a nice addition during the holidays to watch regularly. It will help put a smile on your face. if not put you in a total holiday mood. 

Grade: C+ 

BATTLE OF THE SEXES (2017)

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Directed By: Jonathan Dayton & Valerie Faris
Written By: Simon Beaufoy
Cinematography By: Linus Sandgren
Editor: Pamela Martin 


Cast: Steve Carrell, Emma Stone, Bill Pullman, Andrea Riseborough, Natalie Morales, Sarah Silverman, Elisabeth Shue, Martha MacIssac, Alan Cumming, Eric Christian Olsen, Fred Armisen, Mickey Sumner, Wallace Langham, Matt Molloy, Bridey Elliott, Chris Parnell, Mike Vogel, Tom Kenny, Jamey Sheridan 


In the wake of the sexual revolution and the rise of the women’s movement, the 1973 tennis match between women’s world champion and ex-men’s-champ and serial hustler Bobby Riggs was billed as the BATTLE OF THE SEXES and became one of the most watched televised sports events of all time, reaching 90 million viewers around the world. As the rivalry between King and Riggs kicked into high gear, off-court each was fighting more personal and complex battles. The fiercely private King was not only championing for equality, but also struggling to come to terms with her own sexuality, as her friendship with Marilyn Barnett developed. And Riggs, one of the first self-made media-age celebrities, wrestled with his gambling demons, at the expense of his family and wife Priscilla. Together, Billie and Bobby served up a cultural spectacle that resonated far beyond the tennis court, sparking discussions in bedrooms and boardrooms that continue to reverberate today.

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JOSIE & THE PUSSYCATS (2001)

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Written & Directed By: Deborah Kaplan & Harry Elfont
Based on characters created by: Richard Goldwater, Dan DeCarlo & John L. Goldwater
Cinematography By: Matthew Labitique
Editor: Peter Teschner 


Cast: Rachael Leigh Cook, Rosario Dawson, Tara Reid, Alan Cumming, Parker Posey, Seth Green, Donald Faison, Paolo Constanzo, Missi Pyle, Breckin Meyer, Alexander Martin, Gabriel Mann 


For years, the record industries have inserted subliminal messages into music so that they can turn teenagers into brain dead zombies who do nothing but buy, buy, buy. And whenever the musician or band finds out the truth, the record company silences them to keep the truth from coming out. When the hot boy band DuJour discovers this, their manager, Wyatt Frame, under his evil, corrupt boss, Fiona, has the plane they are flying in crashed and him looking for a new band to use for their evil schemes. Enter Josie, the ditsy Melody, and the tough Valerie, from Josie and the Pussycats, a small band who wants to make it to the big time. When they are discovered by Wyatt, they give in and become big rock stars. But will they find out that they are just pawns for the record industry or will fame take them over?

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