Directed By: Michael Dougherty 
Written By: Zach Shields, Michael Dougherty & Todd Casey 
Cinematography By: Jules O’Loughlin 
Editor: John Axelrad 

Cast: Toni Collette, Adam Scott, David Koechner, Allison Tolman , Conchetta Ferrell, Emjay Anthony 

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When his dysfunctional family clashes over the holidays, young Max is disillusioned and turns his back on Christmas. Little does he know, this lack of festive spirit has unleashed the wrath of Krampus: a demonic force of ancient evil intent on punishing non-believers. All hell breaks loose as beloved holiday icons take on a monstrous life of their own, laying siege to the fractured family’s home and forcing them to fight for each other if they hope to survive.

At first, this film seems to play up the more comedic elements of the story.

It plays like a darker version of GREMLINS, Only more supernatural.

The cast sets the tone, though with Toni Colette. The film can go either way from horror to drama to comedy. As she is good, versatile, and established in all, but most of the recognizable cast are comedic veterans especially both Adam Scott and David Koechner. Which it seems like this film is a warm-up for them to do a buddy movie. With the two of them instantly memories of comedic horror films such as PIRAHNA 3D come to mind and what you expect. Except only, this one is less explosive but tries more for a hard edge family-friendly vibe. That’s more well thought out.

The second act of the film has more humor. Horror at times, but slowly becomes more serious and thrilling as it goes along.

Director Michael Dougherty is making his second feature and again another horror-themed holiday film. (After TRICK R’ TREAT) Full of folklore, energy, and fun.

At first, this film takes a more cynical attitude and looks at the holidays and situations that traditionally go along with them. Though children are in peril. You know nothing truly violent will happen to them at least on screen. There are scares, but an Absence of stakes.

In his films so far there always is an Augustus Gloop type of character. A grossly overweight yet cute character who has victim written all over him, but is there for a few good pokes of humor. The director backs the silliness of the film with a strong backstory that enriches the film and helps the audience forgive the more ridiculous elements. Which serves the film from the tone and fate of films such as SANTA’S SLAY. Which seek to be made and written around the title rather than have a good story thought out.

As here the film like JAWS only suggests a phantom who we see glimpses of and shadows. As we see the hard work was done mainly by possessed toys and appliances.

The film is almost like a nightmare supernatural version of HOME ALONE or NATIONAL LAMPOON’S CHRISTMAS VACATION.

It’s more a film of scares than actual macabre violence or graphic horror. The most objectionable thing here is language and some blood.

The creatures in the attic are truly terrifying. Even if the demented gingerbread men seem more like cute gremlins. That truly makes you wonder if the film is trying to be more innocent and family-friendly.

This film Makes more for a starter horror film. More made for those who get scared easily or are uneasy with the horror genre. As it contains the elements but does so with a lighter touch. It could almost be a harder-edged family film. Though can easily be enjoyed by horror aficionados as long as they can accept more of a mainstream and lightweight horror product.

Another aspect to enjoy here is that the special effects seem to be more practical and less extravagant then a cgi production.

The film feels too knowing and knowledgeable to be a classic. Too glossy to be quite as noteworthy. Though entertaining throughout the viewings with plenty of gothic designs. Especially the terror toys.

The film is a creepy confection with a nod to JEEPERS CREEPERS. As the film is fun yet allows it to be downtrodden and unhappy.

The film fits right in with the directors oeuvre so far  

GRADE: B-