Tag: ACTION

SHADOW IN THE CLOUD (2021)

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Directed By: Roseanne Liang
Written By: Max Landis & Roseanne Liang 
Cinematography: Kit Fraser
Editor: Tom Eagles 

Cast: Chloe Grace Moretz, Nick Robinson, Beulah Koale, Taylor John Smith, Callum Mulvey, Benedict Wall

On a stormy night during World War II, a female pilot with top-secret cargo talks her way on board a bomber plane about to take-off. The crass all-male crew reluctantly agrees, but their suspicions about her identity and the mysterious cargo quickly grow. Just then a shadow appears in the clouds – was it the incoming Japanese fleet? Or caused by some other sinister stowaway?

This film had a very notorious beginning as one of disgraced Screenwriter Max Landis’s big-budget scripts being turned into a production. 

Though after much rewriting supposedly the film was eventually made. Though one wonders if the script was so pro-female before it was rewritten or maybe if he did write it that way as a kind of public apology against the charges he has been accused of. 

It also might also be an homage to the TWILIGHT ZONE movie which his father was infamously sort of even though he didn’t direct that segment of the film and also kind of a remake of the AMAZING STORIES episode THE MISSION directed by Steven Spielberg.

Either way, the film takes the premise of the classic Twilight zone episode terror at 20,000 feet and changes the situation to that of a fighter plane running a mission with an extra female passenger In the gunner galley who sees the gremlin at first. While the others think she has gone crazy, but also during this, they are being attacked by enemy planes and she is trying to keep a top-secret cargo mission from others.

So the film Is loaded and at first, it seems like this going to be a claustrophobic thriller mainly taking place with her in the gunner pit but then eventually it opens up to the whole plane. So that while it is still contained there is more to work with. 

The film stays entertaining though some of the twists are totally unbelievable and reminds you how much a production this is. Which also helps you to accept the more far fetched elements.

Especially one action Sequence where Chloe Grace Moretz is hanging out of the plane trying to retrieve her package and fight off the gremlin. This then adds the intrigue of a fighter place attacking At the same time and an explosion that has to be seen to be believed. As it is an impressive action sequence but totally laughable thinking about the physics of it and how it is played. 

The film offers a little bit of everything there is intrigue, action, war sequences, thriller a little bit of drama, and even a showcase of sexism from most of the males involved in this mission with her and how in the end she more than proves herself capable and above them. Being the bravest, strongest and most resourceful.

In the end, though they help at times as resources this is really Moretz’s action film to take hold of. As she is the hero and they are more the damsels in distress who help out a little.

It isn’t as pumped up as a similar world war II film OVERLORD but It’s a fun action film that uses history and injects something supernatural. So that they have to deal with these otherworldly elements with whatever resources they have that aren’t that advanced.

If anything this movie is an entertaining b-movie and a perfectly fun time waster. 

Grade: C

TERMINATOR: DARK FATE (2019)

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Directed By: Tim Miller
Written By: David S. Goyer, Justin Rhodes & Billy Ray
Story By: James Cameron, Charles Eglee, Josh Friedman, David S. Goyer & Justin Rhodes
Based on characters Created by: James Cameron & Gale Anne Hurd
Cinematography: Ken Seng
Editor: Julian Clarke

Cast: Arnold Schwarzenegger, Linda Hamilton, Mackenzie Davis, Natalia Reyes, Gabriel Luna, Tom Hopper, Fraser Jones 

A young female Mexican worker, Dani Ramos, is hunted down by a virtually indestructible terminator from the future called a REV-9. However, she is protected by an enhanced human named Grace who is also from the future. They flee from the unstoppable terminator and, out of the blue, Sarah Connor helps them on the road. All three head to Laredo, Texas, where Grace has the coordinates of possible support and where they meet a T-800 who is living in an isolated location with his family. The group teams up to try to destroy the REV-9.

When it comes to this franchise. We are back at the well. Which once again feels I needed but does provide impressive action sequences and special effects throughout.

This film doesn’t have as much star power as the recent additions. It seems that is what the filmmakers choose to emphasize. 

Though this sequel does add some diversity. You can’t help but wonder if it more of a marketing decision. Rather than a natural addition of more people of color.

While this is a welcome return for Linda Hamilton’s character to the franchise and being more female-oriented in the middle of the action, Then in films past.

For a film that is over two hours, the film starts off the action pretty quickly. 

As this is a franchise they keep trying to continue. It reminds one of the line from MEAN GIRLS “Stop Trying to make fetch happen” especially if no one is requesting more of these movies. Instead of creating its own mythology of different timelines that makes the series feel like a choose your own adventure story. Depending on when you came into the franchise. Though the first film and T2 seem to be holy scripture for the franchise.

At least this time as usual they try a new film only after it seems special effects technology has been updated. Unlike a few of the sequels especially the last 2 and the third film. It feels like after the third film it’s the same book or tale rewritten by a different author.

This story Could easily be seen as a metaphor for an attack on women’s reproduction. Though not the government. As the main character is targeted for bringing up/birthing a child though the sides are changed with the villains wanting the child aborted.

Maybe it lasts as though it is an action film with some scientific elements. It works as a slasher film of sorts with a recurring final girl. Always on the run against an impossible assailant who will kill anything in its path. Just to terminate one person. We watch just to see how it will happen and the kills involved. Though usually see them coming. There is usually the element of surprise which also brings in an element of horror.

Especially with this fin as the body count rises with efficiency. It feels more violent as gorier as most of the deaths are by impalement.

Though at least this sequel feels less monotonous and more entertaining. Even with a lot less humor until Arnold Schwarzenegger shows up. As he always does. These films usually somehow also involving Arnold Schwartzenegger’s terminator in some form. Only one of the sequels didn’t have his total involvement.

So his appearance here is not shocking. This also relies a lot less on John Connor. As he is iconic in the role of the terminator. These films will always rise and fall with his involvement not giving credit to the lesser sequels weakens the better ones. This is the one that should have come after the second or third film.

This is where all of the budgets went as scenes outside of it come off small scale. Simple but also feels the most relatable.

The film also seems like the simplest out of all the films in the franchise. All the films feel epic in scope. Though This one seems to focus more on the action sequences. So that there already less questions about the plot and the story.

It still seems to have all the central roles. Only here they are all mostly switched to female characters. Who seem to serve the same purpose as when it was male characters.

This film Still feels like a bit much. Though at least while trying to impress you. It makes its Mark. It gives you a lot for your investment. That is its own reboot though as we are all familiar it doesn’t feel as fresh or advanced.

Grade: B-

SLEEPLESS (2017)

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Directed By: Baran Bo Odar
Written By: Andrea Berloff 
Based in the film “NUIT BLANCHE” Written by: Frederic Jardin, Nicolas Saada & Olivier Douyere 
Cinematography: Mirai Malaimaire Jr.
Editor: Robert Rzesacz

Cast: Jamie Foxx, Michelle Monaghan, Dermot Mulroney Jr., Scoot Mcnairy, Tip T.I. Harris, David Harbour, Gabrielle Union 

Undercover Las Vegas police officer Vincent Downs finds himself trapped in a web of corrupt cops, internal affairs and violent gangsters. When a failed heist leads to the kidnapping of his son, Downs must race against time during an intense and restless night to save him and bring the criminals to justice.

I can admit this film already seemed D.O.A. When the trailers for the film hit. As nothing in the trailer came across as new or even exciting and watching the film it pretty much felt the same. While plenty of things happen on screen and in the story. It still all feels basic and familiar and the film, not performances add any excitement to it.

I will admit I liked the French original version of this film SLEEPLESS NIGHTS very much, but in the American translation, a lot of fresh and maybe foreign cultural elements are dropped. Making the film come across as more of a big-budgeted longer episode of a police procedural. 

As the original film Offered complications that felt essential and consequential. Here the film just seems to throw complications that seem more here to be filler than anything. Else 

Scoot McNairy’s villain is the only memorable thing in the whole film. Who would have been great in a better movie? 

The film feels like for a recognizable cast who do try there is really Little effort put into the film at all to feel special or set itself apart. So that by the end it feels basic yet disappointing. Which is a shame as Jamie Foxx has proven to be a versatile and charismatic actor who can be funny, dramatic and tough when he needs to be and this film offers only the later but like most of the roles. Never feels specific enough to their talents so that virtually anyone could have played these roles.

The only Element that felt somewhat exciting was the ending that leaves room for a sequel or alludes to an even bigger conspiracy. 

This just feels like a lost opportunity. Where all this film seems to offer is more a stylish music video technique to the story without really adding anything worthy dramatically or even character-wise. 

It just simply he’s out all the originality out of the original. Truly making this a Hollywood byproduct. If anything it feels like an audition for the director to show what he can do with so little. 

Grade: F

HOBO WITH A SHOTGUN (2011)

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Directed & Edited By: Jason Eisener
Written by: John Davies
Story By: John Davies, Jason Eisener & Rob Cotterill
Cinemantography By: Karim Hussain

Cast: Rugter Hauer, Brain Downey, Gregory Smith, Molly Dunsworth 

In this film a Hobo riding the rails comes to a town to save up and start his own lawnmower business. then he see’s how corrupt and evil the town is. he tries to do the right thing and work with the cops but finds them to be crooked. so after being pushed too far he takes the law into his own hands and becomes a vigilante. Seeking to clean up the streets.

Is there such a thing as too over the top? this film seeks to answer that question. I mean there is a scene where some one is decapitated and blood is spilling out of their neck like a geyser and the villains “Girlfriend” or at least one of them in a white bikini stands and dances as the blood pours all over her. She reacts like she is getting a orgasm from it.

This film reminds me of the Troma Movies, i used to watch in my teen years. It has the right mix of Low-brow humor, Bad Taste and Extreme gore. Which in a way makes me feel nostalgic watching this movie. Which made the film enjoyable and a fun movie experience There is nothing in the film you can take seriously none of the characters seem like real life human beings. even the town and it’s citizens are unbelievable in their attitudes.

The Villains kids drive a car that looks futuristic Like a DeLorean and a 70’s car mixed which helps in this unbelievable world we are thrust into. The colors of the film are a little too saturated. Yet come off as dirty and deteriorating. Which adds to the queasiness of what is happening on screen.

The Villain and his family remind me of The power and sickness of Saddam Hussein and his sons Uday and Qusay. Which is the closest this film get’s to a political statement.

It’s nice to see Rugter Hauer. He get’s to cut loose and gives his character not only heart but also a deranged lunacy that goes with much of the movie. I haven’t enjoyed him this much since CONFESSIONS OF A DANGEROUS MIND, Which was supposed to be his last Comeback. and BLIND FURY another action B-Movie with a twist. Which matches the 80’s feel.

Brian Downey who plays the villain “The Drake” i remember from the sci-fi Television show i loved Named LEXX. Here he chews so much scenery. it feels like he has waited his whole life to just let loose as a character.

I was shocked to see Gregory Smith Playing one of the villains son. I remember him as a child actor in HARRIET THE SPY and THE PATRIOT as well as the TV Show EVERWOOD. he usually plays such good people i was taken aback to see him play a disgustingly evil bastard.

If you can’t tell by the title of the movie. It is supposed to be silly. So you get what you expect. I have to say my excitement for the movie and watching it is probably better then the actual film is. The film started out as a entry into a trailer contest that the film GRIND HOUSE set-up to have the winner be apart of the fake trailers already in the film.

This was the winning entry and from that there was a offer to make the film after a script was completed and the filmmakers kept the film in the grind house tradition of being exploitive and having a gimmick. they forgot the part where most grind house films the movies were usually schlock but the movie makers were serious in what they thought would be a good film. Which was what made them entertaining. It’s one thing to have a sense of humor about yourself and your movie, but With all these grind house inspired films the problem is that they try to be a joke and put the audience in with them on it. Which i will admit i enjoy most of the results of films like this and MACHETE, but it also gives a diservice to the title of grindhouse as most of these are just gory comedies.

This one in particular seems to aim more for campiness at times then pure funny. Let me get off my soapbox.

This film also surprisingly leaves off another element that grindhouse and troma movies usually revel in. There is hardly any nudity or sex in the film plenty of talking about it, but rarely shown.

Though the Villain’s are supposed to be the big bad’s. They don’t seem to be the worst Psychopaths they just seem to be the most organized, even though they are all crazy.

This film also has to have the luckiest hooker i have ever seen. She has a heart of gold has lived in this town this long and never seems to have a john but plenty of money and has never really been hurt or attacked of course that is until the hobo comes to town. i kept wondering how has she lasted so long? but then again this is a movie where almost every gunshot is big and deep when it lands and kills instantly, but cutting deep into a neck can be repairable.

This film fulfills what you would expect from it’s title and poster. if that is what you see that is what you will get. I honestly can’t wait to see of the filmmakers stay on the path to making films like this or make a natural transgression to other genre films. either way i await there next move. A definite Addition to the film library… on sale

GRADE: B-

WONDER WOMAN 1984 (2020)

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Directed By: Patty Jenkins
Written By: Patty Jenkins, Geoff Johns & Dave Callahan
Story By: Patty Jenkins & Geoff Johns
Based on characters from DC Wonder Woman created By: William Moulton Marston
Cinematography: Matthew Jensen
Editor: Richard Pearson

Cast: Gal Gadot, Chris Pine, Kristen Wiig, Pedro Pascal, Robin Wright, Connie Nielsen, Lilly Aspell, Natasha Rothwell, Ravi Patel, Stuart Milligan

Diana must contend with a work colleague and businessman, whose desire for extreme wealth sends the world down a path of destruction, after an ancient artifact that grants wishes goes missing.

This is a film that is all over the place and feels bloated because of it. Making it hard to follow at times and confusing overall.

As it appears a lot of energy was thrown into this film but it feels unfocused. So much that it stands as an Art Deco piece more than anything.

As even with two villains who actually connect to each other in storylines. Kristen Wiig makes a good villain but Pedro Pascal gives the better performance.

The plotline Reminds one a lot of SUPERGIRL the movie of a seemingly desperate person who gets the power of the gods and goes crazy with power and involves a lot of gaudy designs around them. 

The quantum leap part of the film again reminds one of the 1980’s but also makes you in the audience roll your eyes.

What was charming about the first film was not only the time period and when it was set and having her obviously trying to fit into a more comedic effect but was also empowering. While allowing you to laugh along with the other characters who are encountering this confident woman and don’t know exactly how to react.

Here she is around but has grown into the time period and knows how to keep a low profile. Even though how no one Figures out her identity it vague but it is also explained that she usually destroys any evidence of herself. 

While it tries to immerse itself In the 1980’s culture and fads it seeks here more as a place for design and jokes more then it need to be. Though with the excess it does feel like a film Set during those times 

By having her love story repeat itself here it serves as a means to an end when it comes to the final act but again feels like repeating.

If that wasn’t enough while the action sequences are grand. They didn’t feel noteworthy or impressive. Strangely they feel safer. In Other words very DC Comics movie. Where it all seems to be more about marketing. They try to make it an emotional film for the characters. As well as making them identifiable, but that seems o be the weakness of most of their superhero films. Making the character identifiable.

Some might fault Gal Gadot and her performance, which I find hard as she isn’t asked to do much acting most of her screen time is more dedicated to stunts and action sequences.

One also feels that the reason the movie might be scoring so low is that it was supposed to be a major release in a year that has hardly had many. So that this was looked forward to and had a lot riding on it. Unfortunately, it didn’t satisfy many people hopes, and Interpretations 

Even the opening scene which wasn’t truly needed but allowed the film to show off other kick-ass women in an action element. Competing but not each others enemies and to teach a moral lesson of taking shortcuts. Though even the action in these scenes feels confusing as the camera is everywhere and constantly cutting. 

By the ending it felt more idealistic and more of a feel-good moment for the audience if the good we can all do. Even if set in the 1980s the days where greed and consumerism

Seemed to reign. 

Grade: D

AVA (2020)

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Directed by: Tate Taylor
Written by: Matthew Newton
Cinematography: Stephen Goldblatt
Editor: Zach Staenberg

Cast: Jessica Chastain, John Malkovich, Common, Colin Farrell, Ioan Gruffund, Geena Davis, Jess Weixler, Diana Silvers, Joan Chen 

Ava is a deadly assassin who works for a black ops organization, traveling the globe specializing in high profile hits. When a job goes dangerously wrong she is forced to fight for her own survival.

The film offers an interesting character where you wish she had a more exciting tale to go with it. So that it feels like you have a good lead character looking for a better film.

Jessica Chastain is full of energy here. Though the film and character strength are not too much of a challenge for her. 

The film soon gets to the point and stays there. Where you have no doubt what will happen. Even though for a film that is supposed to be an espionage tale it feels more small-town gritty. Like more of a mob tale

The filM comes across at times as mroe domestic drama and not as interesting as it thinks it is. With some action scenes that take place In Interiors particularly small rooms. Make the film more small scale yet fits the Netflix action aesthetic. 

The casting of Geena Davis playing the mother to a character similar to the assassin Charli Baltimore she played in THE LONG KISS GOOD NIGHT. Which makes it feel a bit like stunt casting. 

Unfortunately, this is another middling movie from director Tate Taylor that sounds mroe interesting and fun than it actually is.

The film includes a strange romance that doesn’t seem like it would hav been that exciting even if it had made it to theaters.

The film tries to be different by offering a mroe domestic story, but it feels like I needed melodrama. To make you identify snd care more about the characters. Especially the more supporting ones 

Nothing really sets this movie apart from average and familiar. Though it does leave itself open to sequels that hopefully would flesh it out especially the supporting characters. Who gets no chance to shine here it seem to be set up for greater things later in the film Only for nothing to really happen.

Sort of like the movie FASTER which left itself open to spinoff sequels but wasn’t quite as popular that was expected. So this is most likely a solo effort. Though a sequel Would help improve on the material.

This film seems like it could have been more fleshed out and given for room. Especially with it’s more recognizable cast. Who all end up here for a paycheck more than anything.

GRADE: D+

THE EXPENDABLES (2010)

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Directed By: Sylvester Stallone
Written By: Dave Gallaham & Sylvester Stallone
Cinematography By: Jeffrey L. Kimball
Editor: Ken Blackwell & Paula Harb

Cast: Sylvester Stallone, Jason Statham, Charisma Carpenter, Terry Crews, Eric Roberts, Jet Li, Dolph Lungdren, Mickey Rourke, Randy Couture, Steve Austin, Bruce Willis, Arnold Schwartzenegger, David Zayas, Gary Daniels 

Barney Ross leads the “Expendables”, a band of highly skilled mercenaries including knife enthusiast Lee Christmas, martial arts expert Yin Yang, heavy weapons specialist Hale Caesar, demolitionist Toll Road and loose-cannon sniper Gunner Jensen. When the group is commissioned by the mysterious Mr. Church to assassinate the merciless dictator of a small South American island, Barney and Lee head to the remote locale to scout out their opposition. Once there, they meet with local rebel Sandra and discover the true nature of the conflict engulfing the city. When they escape the island and Sandra stays behind, Ross must choose to either walk away and save his own life – or attempt a suicidal rescue mission that might just save his soul.

It is hard to believe that Sylvester Stallone has been not only a star but a box office draw and #1 film superstar over 5 decades. Which makes me respect him for his longevity alone. It is hard to believe and remember that when he first became a star with ROCKY which he also wrote, he was considered a serious dramatic actor compared on the same level as Robert DeNiro and Al Pacino. Now he didn’t really become an action superstar until FIRST BLOOD and has pretty much ran with it ever since.

The 90’s weren’t great for him as he followed that path into the ground with horrible studio action films and comedies that tarnished his record. After many diminishing returns, he decided to branch out again by appearing in indie films and taking a dramatic lead which did show he still could act but it wasn’t the career resurgence he expected like John Travolta at the time so it was only awhile until he returned to the genre he knew best but this time he was more informed and began to return to his iconic roles only this time with him writing and producing the films and as other laughed at him for these decisions it actually proved to be a smart move as the audiences were intrigued and both ROCKY BALBOA and RAMBO were box office hits and surprisingly decent films.

So of course for his first original film since making those films he puts together a all-star cast of action heroes and ex-costars for this film about a group of mercenaries who take on secret covert missions. They decide to take on an unwinnable one to help a land that has been taken over by an ex-cia agent in cahoots with the dictator of the land who is growing drugs to sell but in effect robbing the land and its people of there freedom. So of course Sylvert Stallone and crew take on the mission.

The film is a perfect throwback to 80’s action film with generic Villians and plot, But in it’s own way it is action campy as each of the cast gets a scene to shine. Jason Statham one of the real major co-stars gets a simple side story that is really only there to show off his romantic side and his ass-kicking skills. Nothing in the film makes anyone stretch as an actor. Jet-Li is mostly here to fight Dolph Lundgren in fight scenes.

The rest of the expendables are mostly there in small roles or extended cameos rather than being vital characters. Even early in the film Stallone and Statham go on a mission to check out the land alone and pretty much kick a lot of ass on their own. Only later do they come back with reinforcements.

The only actor who really makes a mark with their role is surprisingly Dolph Lundgren in a role that was rumored to be for Jean-Claude van Damme who turned it down. The action scenes are glorious but nothing special except for the grand scale of them.

There is nothing in the film you wouldn’t expect in this type of film. It falls short in many ways when it comes to my expectations. I was hoping for more surprises. For a top action spectacle. But as an action film that is a homage to the films that made Stallone an 80’s star, it is ok and enjoyable.

The perfect kind of Popcorn movie. It also is missing a lot of Action legends it supposedly is supposed to have Chuck Norris, Steven Segal, The Rock, Jean Claude Van-Damme, Chow Yun Fat, he could have even thrown a bone to some straight to home video action stars for bit roles, Michael Dudikoff, Don “The Dragon” Wilson, Thomas Ian Giffith, and Danny Trejo.

Even as more of a guilty pleasure, The film is a satisfying rental

GRADE: C+

PROJECT POWER (2020)

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Directed By: Henry Joost & Ariel Schulman

Written By: Mattson Tomlin

Cinematographer: Michael Simmonds 

Editor: Jeff McEvoy

Cast: Jamie Foxx, Joseph Gordon Levitt, Dominique Fishback, Rodrigo Santoro, Courtney B. Vance, Colson Baker, Amy Landecker, Tait Fletcher, Andrene Ward-Hammond, Kyanna Simpson 

When a pill that gives its users unpredictable superpowers for five minutes hits the streets of New Orleans, a teenage dealer and a local cop must team with an ex-soldier to take down the group responsible for its creation.

The film tries to distinguish itself from other superhero films. That tries to preach against having absolute power and also how drugs can be dangerous to you and leave you being out of control and hurting those you never planned to.

Then the movie shows that the only way to fight fire is with fire. Where the heroes aren’t junkies but need these powers to defend and defeat those who do.

While also trying to be a little more gritty and somewhat realistic over other hero tales. That tries to be a little thriller dressed up with minor fantasy elements.

The film tries to be more realistic and show the danger of too much power and how it can feel like a drug or like an addiction either way corrupting those who use it too much.

The film comes across as more conspiracy driven throughout. While also being overly stylish. It throws you off with the realism but then once the fantasy elements come in they then feel too outlandish.

Jamie Foxx doesn’t use the drug until the end when it is convenient and has this omega power that is stronger than most. 

The film set up a villain only for there to be another few more actually who are rather weak after the one we are introduced to and aren’t as engaging. They actually come off more as random.

The film feels derivative as it is obviously made mroe for a younger urban audience. It lacks a moral or lesson that most superhero films have and worse it feels by the numbers and convenient most of the time.

In the end it rubs rather basic except for it’s more rundown surroundings than I try to give the film more personality as well as attitude. Though at least it tries to have a positive ending. 

GRADE: C

THE OLD GUARD (2020)

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Directed By:  Gina Prince-Bythewood
Written By: Greg Rucka (Based on the graphic novel series created by him)
Cinematographer: Barry Ackroyd & Tami Reiker
Editor: Terilyn A. Shropshire

Cast: Charlize Theron, Kiki Layne, Chiwetel Ejofer, Matthias Schoenaerts, Harry Melling, Marwan Kenzari, Lucia Marinelli, Ana Maria Marinea, Veronica NGO, Natcha Karan, Shala Nyx 

Led by a warrior named Andy, a covert group of tight-knit mercenaries with a mysterious inability to die have fought to protect the mortal world for centuries. But when the team is recruited to take on an emergency mission and their extraordinary abilities are suddenly exposed, it’s up to Andy and Nile, the newest soldier to join their ranks, to help the group eliminate the threat of those who seek to replicate and monetize their power by any means necessary.

While one is happy to see director Gina Prince-Bythewood taking on a new genre and having a superhero and more action-oriented film than her previous films. This film isn’t quite the revelation one was hoping for.

Especially as a fan of her films before this, she does an adequate job but it doesn’t feel like anything special. It feels more typical but proves she can handle a genre movie

The action is violent yet feels satisfactory then great. As it seems more contained and smaller compared to films of this type. As the

Action sequences in this film Usually take place indoors. As the characters try to keep their identities secret. So they have to stay undercover and the action never offers that pizazz one might look for. 

The film at least offers a more international flavor. As the action comes off as covert and more espionage based my 

The film is based on a graphic novel. As it does feel like a comic book, that tries to tap into the reality and drama of certain situations. Which allows the film to have some heart and melodrama.

What is different and welcome from the film is the female Characters more take center stage. As they are more natural protagonists, heroes and also have more action scenes.

Each one has their own and even on group action scenes they more take the lead.

While Charlize Theron plays the world-weary leader like a first-class action and dramatic star. The film is stolen by the new recruit Kiki Layne

It makes one wonder when watching something that is overly praised but one only Finds it passable or entertaining enough. Is one expecting too much or is one holding the film To a certain standard that it might never have had a chance of ever achieving.

One of the problems not only with this film but a lot of action and superhero films coming out. Is a lack of a memorable villain. Here the villain proves to be a challenge but more comes off as a twerp. 

A villain is supposed to be a way to hate but should also be interesting to a certain degree. Here you can’t wait for them to dispose of them And move on. As this villain doesn’t Even seem either up to the challenge or even worthy of truly being a challenge. Once finally introduced after a bunch of false leads through a whole load of espionage You feel like,  this is it? 

This ends up being a nice film That feels like a beginning to a franchise but works open-ended as it is though makes the stakes feel big and sticks to them. 

Grade: B- 

HELLBOY (2019)

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Directed By: Neil Marshall
Written by: Andrew Cosby 
Based on the dark horse comic book “HELLBOY” created by: Mike Mignola
Cinematography: Lorenzo Senatore
Editor: Martin Bernfield

Cast: David Harbour, Sasha Lane, Milla Jovovich, Daniel Dae Kim, Ian McShane, Sophie Okonedo, Kristina Klebe, Thomas Haden Church

Based on the graphic novels by Mike Mignola, Hellboy, caught between the worlds of the supernatural and human, battles an ancient sorceress bent on revenge.

This feels like a dumbed-down version of the story. Though might be more In tune with the original comics.

I am not a fan of the first original HELLBOY movie but can say it was more artistic and beautiful then this film. Even if at the time it played as typical as far as the story went. HELLBOY 2: THE GOLDEN ARMY was better nearly a masterpiece in my eyes.

I at least respected it as it felt lacking a strong villain and instead offered an introduction of characters. 

One of the nice things I can say about this film Is at least it’s Violent and it feels more epic than the original that might end because it actually has more Locations then the original. It also jams in so many creatures that it feels stuffed and cross-referenced many times. Though at least while the Guillermo Del toro version of the first film was more mystical and beautiful even if it lacked a compelling story. This one is more Action oriented and full of story and mythology.

Like many would have preferred a sequel with the original filmmakers but the studio decided to try to modernize it instead and reboot it. Unfortunately with the departure of Ron Perlman in the title role and the director/writer Guillermo Del Toro this comes Off as a desperate copy that is never sharp.

Ron Perlman’s portrayal of the title character felt more lived-in and impressive. David Harbour’s performance seems more laid back.

The reason I eventually watched this was to see Sasha Lane’s interpretation of Alice. She adds to the culture and atmosphere of the film

The film definitely feels otherworldly and is best to watch on a big screen.

This film makes you appreciate the original and it’s more practical special effects. As this is CGI overload that does feel more like a comic book. Though without the texture and depth. So that this comes off more commercial.

Director Neil Marshall supposedly had a hard time making the film and the producers took it over after his initial cut. You can tell as the story gets short-sighted for more Action and effects. Leading to it at times being hard to follow or distracted itself.

The film has a strong mystical fantasy story with a bunch of exposition. That makes it feel overstuffed and too long with stretches of little to no excitement.

The performances throughout are spotty. Considering all the people involved in this movie expected it to be a bit better.

I enjoy Milla jovovich as an actress but with her casting, this feels more like another disposable special effect fantasy horror film

She usually appears in and frankly not as inventive. Though she gives one of the better performances. 

This film already had an audience against it as the original al is so memorable and iconic and this reboot coming so soon that it feels like a dumbe down version and even when it was released

it wasn’t heavily advertised as much as movies like this usually are more In theater advertisements then public ones. I didn’t even know it’s Release date until the week before it actually came out 

Though based on original material this feels like an amalgam Of many fantasy tales and movies out there though al the action, special effects, and horror. It still manages to be boring.

It feels like an animated film come to life or amusement park inspired meant to impress a younger audience. But too harsh for them. 

Grade: C-