SCREAMERS (1995)

Directed By: Christian Duguay
Written By: Dan O’Bannon & Miguel Tejada Flores
Based On the Short Story “SECOND VARIETY” By: Philip K. Dick 
Cinematography: Rodney Gibbons 
Editor: Yves Longlois 

Cast: Peter Weller, Jennifer Rubin, Roy Dupuis, Andy Lauer, Charles Powell

A military commander stationed off the planet during an interplanetary war travels through the devastated landscape to negotiate a peace treaty but discovers that the primitive robots they built to kill enemy combatants have gained sentience.


I remember seeing this trailer many times before movies in 1994 and when it finally came out. It barely gets a release. I didn’t even get to catch it at the discount theater. Once I managed to see it on cable. 

when it comes to Sci-Fi if the story fails you. You usually hope that the special effects will carry you through. Now when this film was made CGI was just beginning but even looking at this film in that context the effects are horrible. About the same quality of SyFy TV movies.

Watching the trailer the film looked a bit thrilling yet simplistic. I was intrigued over the years to finally watch this film as I have not always been a fan of sci-fi films. So I figured to give this one a chance, bad decision.

One of the things that lured me to watch the film was the stars. Peter Weller has a strong look with a mysterious presence. Yet a leading man charm. Who never got his chance in the spotlight and Jennifer Rubin. Who seemed more cast in b-movies whose career I have followed since the movie THE CRUSH. Followed her from career highs and the many lows of her career. This is one of them.

Their budget seems to have gone into bad special effects. Bad investments all around, as the locations seem to be three sets and the desert.

The acting is laughable other than the main two cast members, especially the villain of the film.

The twists and turns are predictable. The ending guarantees a shock but is not as big as the film thinks it does.

In between the action scenes, the film seems to be trying to be satirical and send a message that comes off as empty. This is a shame Since the film had Been more realized and had a major overhaul, especially behind the scenes. The film could have had a chance to be good or at least somewhat decent. Better than what it is now. Unintentionally laughable. A waste of time that actually leaves room for a sequel.

Scenes such as how Peter Weller character goes on and on about how much he loves his wife and family But seems easily tempted away

Grade: F

THE MAN FROM TORONTO (2022)

Directed By: Patrick Hughes 
Written By: Robbie Fox and Craig Bremmer 
Story By: Robbie Fox, Craig Bremmer and Jason Rosenthal 
Cinematography: Rob Hardy
Editor: Craig Alpert 

Cast: Kevin Hart, Woody Harrelson, Jasmine Matthews, Kaley Cuoco, Ellen Barkin, Pierson Fode, Jeancarlos Canela 

The world’s deadliest assassin and New York’s biggest screw-up are mistaken for each other at an Airbnb rental.


The film was originally supposed to Co-Star Jason Statham. Which would make more sense as a more dream combo. Not that woody Harrelson isn’t good. It just feels like he is a replacement. As he does what the role requires but hasn’t even known for too many action roles in quite a while.

So while his role is supposed to be more action-oriented. He only seems to use these skills on other assassins. As his character is so synonymous that he rarely has to use violence before they confess everything. Even as we know he has the finesse to actually do the things they fear. So it is more about intimidation. 

Kevin hart tries but it feels like again he is playing a similar role to most of his others. A kind of sad sack dreamer who gets motivated in the middle of the film to do what he needs to do to finally accomplish his mission and be successful. 

Though even here hart’s heart doesn’t seem as much into it. As he does create an annoying character who never seems to shut his mouth and say everything he is thinking, but again he knows he has played this type of role before and there is only so much of a variant that he can do with it.

At this point, it would be nice if Kevin Hart made a film that was just him as the star no more mismatched buddy comedies. Let him be center stage and truly make his mark. That might actually be noteworthy. As it would showcase his talents more and not seem so much like he is dependent on others to sell himself. 

The film’s action scenes try to be exciting even as most characters other than the leads and bigger cast names seem disposable. They never offer any kind of challenge. As the audience knows how each situation most likely will turn out.

There are some exceptions; the airplane fight and the gym fight actually enliven the movie and are a bit easier especially after other action sequences seem to fizzle.

Just as it would have been nice for more comedic scenes where Woody Harrelson is nervous around the opposite sex and opening up around new people. Just as more could have been done when it came to the

Handsome FBI agent who Kevin hart’s character is jealous of, allowing us to see why he should be jealous would have been funnier.

Director Patrick Hughes has made some silly yet violent guilty pleasure action comedies before with THE HITMAN’S BODYGUARD films. Though those were much more hardcore in language and violence. This one is played safer and PG-13 so it can only go so far and doesn’t feel like it goes far enough in some scenes. So the film Lacks bite in action and In comedy. The material just never feels that strong 

Overall if you are a Kevin hart fan you will enjoy the movie. The film just feels like the typical Netflix big-budget team-up movie with very little reason or strength in the storytelling. 

Woody Harrelson is bland here can tell he was a replacement in casting. 

The film is serviceable but not as fun as you think it will be or it could have been. As Kevin hart does his usual schtick and the material feels too familiar for all involved

Grade: C-

SPY (2015)

Written & Directed By: Paul Feig
Cinematography: Robert D. Yeoman 
Editor: Melissa Bretherton & Brent White 

Cast: Melissa McCarthy, Jason Statham, Jude Law, Rose Byrne, Miranda Hart, Allison Janney, Morena Baccarin, Carlos Ponce, Peter Serafinowicz, Bobby Cannavale, Michael McDonald, Sam Richardson, Zach Woods, Katie Dippold, Richard Brake, 

Susan Cooper is an unassuming, deskbound CIA analyst, and the unsung hero behind the Agency’s most dangerous missions. But when her partner falls off the grid and another top agent is compromised, she volunteers to go deep undercover to infiltrate the world of a deadly arms dealer, and prevent a global crisis.


This is for me so far the best comedy Melissa McCarthy has starred in. This doesn’t feel like one of her assembly line films that seem almost cranked out back to back, before the power of streaming made this a common occurrence for most stars. Though I give her credit for keeping trying original Comedic characters.

Luckily here her character is more identifiable for the audience and not so much mentally challenged. 

The film worked as a spoof comedy and an actual spy thriller where you care about what happens and you care about the characters. Who are actually memorable. As we in the audience are like the main character constantly wondering who we can trust.

The over-the-top villains and international characters are filled with so many strange details. It Is such a delight to watch.

Jason Statham is actually hilarious throughout. Having a kick for making fun of his previous roles. While doing what needs to be done action-wise. Which is what gives the film its energy is the constant duality of the actors, characters, and film. 

The film keeps you on your toes with Its surprises. As well as having a shocking amount of violence that is graphic. While  At heart the film is an action comedy. 

Everyone seems to give their character a certain spin. So it feels more like everyone has their own motivations, agenda, and trust issues. Yet all share a certain world and reality. 

This is a tight film but everyone feels loose and free. So that they get their moments to shine 

Grade: B+

THE MECHANIC (1972)

Directed By: Michael Winner
Written By: Lewis John Carlino
Cinematography: Richard H. Kline and Robert Paynter (European Sequences)
Editor: Freddie Wilson and Arnold Crust Jr. (Michael Winner) 

Cast: Charles Bronson, Jan-Michael Vincent,  Keenan Wynn, Jill Ireland, Linda Edgeway, Frank De Kova, Tak Kubota, Celeste Yarnell, Enzo Fiermonte 

A professional hitman is planning to retire, always a difficult move for one in such a profession. A young apprentice appears to be eager to learn all the skills of the trade – but is that all he wants?


This was one of the Charles Bronson films I was looking forward to, as this is supposedly one of the classics for him. 

I will admit to seeing the remake with Jason Statham first. Though I enjoyed it. I thought it would be an overblown spectacle. Which it was but also improved on the material.

This, original has a great first half of the movie. As the opening 10 minutes alone are a silent masterpiece of suspense and reasoning. 

Then once he has to kill one of his friends out of duty. Even that makes sense, and with his expertise, he never makes it look like an assassination. It always looks natural or like an accident.

Though it seems in the second half of the film that is abandoned. Even when he has assistance on his assignment it is so big and doesn’t look like an accident. Then after that, his assistant who he takes on out of guilt is all of a sudden acting like an expert. When he has done one job.

The twists at the end are the only thing that saves the film. Though it is set in the 1970s at first we feel sorry for the kid but as heartless as he treats his girlfriend who is attempting suicide. Shows us how evil he is, though he passes no judgment it seems to be the quality that makes Bronson’s character accept him.

Thankfully the film is barely over 90 minutes. As whenever there is a scene with Bronson alone it becomes dull. Even though these as supposed to be moments where we get to know his character. Even though there isn’t much to be known. 

It still allows for Bronson’s charisma and Jan Michael Vincent to show off his chops early in his career. Though this film by the end felt like a disappointment for me. I can see why it has its fans. As it tries to set a tone and be moody while also having it’s Fair share of action 

Grade: C+

THE A-TEAM (2010)

Directed By: Joe Carnahan
Written By: Joe Carnahan, Brian Bloom and Skip Woods
Based On The Television Series Created By: Frank Lupo & Stephen J. Cannell
Cinematography: Mauro Fiore
Editor: Jim May & Roger Barton 

Cast: Liam Neeson, Bradley Cooper, Jessica Biel, Sharito Copley, Quinton “Rampage” Jackson, Patrick Wilson, Gerald McRaney, Yul Vazquez, Brian Bloom, Henry Czerny, Terry Chan, Omari Hardwick 

A group of Iraq War veterans looks to clear their name with the U.S. Military, who suspect the four men of committing a crime for which they were framed.


I will admit I had to watch this film More than once to really Get into it. As originally it felt more typical, I will admit to disliking it upon the first view. but a few years removed You can actually notice its qualities. Due to repeated viewings, it has grown on me. 

The film is surprisingly funny at times with some really Good action sequences. Which makes the films mostly fun than anything else. Definitely a perfect summer movie.

The portrayal of B.A. Barscus was originally played by Mr. T. Who became the most popular character and the breakout star of the show. Isn’t As memorable or outrageous here played by Quentin “Rampage” Jackson. Though he works for the film and is used well. Plus this was his first acting role so he is a rookie among the professionals.

Here it shows everyone is having fun playing espionage and with all the hardware and inventions involved. Unfortunately, Jessica Biel is the only one who comes off as bland. As she is the only woman playing in the boys club. So the Script treats her as the killjoy and convenient love interest.

Patrick Wilson is memorable as the villain or at least one of them. As he is clearly Having fun. He comes off as a fan of action but is rarely involved in that type of film.

This is a film That finally at the time used Bradley Cooper’s Looks and charm in an impressive way 

The film and cast actually gel well together; the theme of honor stays a major plot point throughout and while silly the film always feels cool. Though overstuffed and comes off more comedic than pure action a lot of the times 

At the time it seemed typical of the action films coming out at the time, but being able to look back at it is a fine example of basic but being a bit above and using that basic quality to it’s advantage. 

Grade: C+

TANK GIRL (1995)

Directed By: Rachel Talalay

Written By: Tedi Sarafin

Based on a Comic-Strip By: Jamie Hewlett and Alan Martin 

Cinematography: Gale Tattersall

Editor: James R. Symons 

Cast: Lori Petty, Ice-T, Naomi Watts, Malcolm McDowell, Don Harvey, Jeff Kober, Reg E. Cathey, Scott Coffey, Ann Cusack, Iggy Pop, Brian Wimmer, Billy L. Sullivan, James Hong, Doug Jones, Stacy Linn Ramsowar 

A girl is among the few survivors of a dystopian Earth. Riding a war tank, she fights against the tyranny of a mega-corporation that dominates the remaining potable water supply of the planet.


The film successfully fills out a comic book world with vivid colors, fashions, and ridiculousness. 

The problem is that it all feels constantly staged on a set and bargain basement. The practical special effects are the only thing that is very impressive. Even later in the film Malcolm McDowell’s character’s more digital look is lackluster.

The film looks cheap and it keeps its rebellious D.I.Y. Punk attitude, but it doesn’t sell the story. It tries to remind the fans of its origins from time to time showing a scene and then showing the outcome from the panel of the graphic novel. Fans might remember how much it is not the graphic novel, but light entices newbies in the audience to seek out the source material.

The film isn’t horrible it is probably actually ahead of its time given a decade later it would probably have been treated better by the studio and audiences might have been more receptive. If made today probably would have been a successful limited series on a streaming Service 

Surprisingly I quite enjoy the film. Though wasn’t actually looking for much. Maybe it is that offbeat production and sense of humor the film has that makes it feel a little different and special. 

Lori Petty’s performance is enjoyable one of her biggest starring roles. Though I can understand if some audience members might find her annoying. While she is certainly energetic and wacky to truly be a believable action hero. Here she comes across as campier and like a demented sidekick, but maybe that is part of the appeal.

Her performance makes the action scenes a little more hard to believe. When you have this more comedic character all of a sudden being a savior and out stoic hero. 

The film attempts to be experimental with not only the comic book panel cutaways but also a musical sequence that comes out of nowhere and probably helps cement the film’s cult classic status. Not to mention genetically altered kangaroo men.

The film was clearly made to be appealing more to teenagers and a female audience. Though it already had limited appeal as more of a cult comic book. Where the filmmakers and studio at the time hoped would come out and support the film and have at least that audience. 

Anytime the film risks getting too violent. Which can happen in a dystopian apocalyptic landscape. It cuts away, there is no abundance of bad language or adult situations that are hinted at but cut short. Even a slight Beastiality romance between a kangaroo-man and the lead is more hinted at than anything 

The film is also one of the earliest appearances of actress Naomi Watts in a supporting role. 

Though credit must be given to this film for offering diversity and representation across the board in the casting of the film.

During the film and by the end it will definitely feel like you are on some kind of psychedelic or drug. Think of it as a precursor to a studio film like GUARDIANS OF THE GALAXY in wackiness and heroics. 

Grade: C+

BECKY (2021)

Directed By: Jonathon Milott & Cary Murnion
Written by: Ruckus Skye, Lane Skye & Nick Morris 
Cinematography: Greta Zozula
Editor: Alan Canant 

Cast: Lulu Wilson, Kevin James, Joel McHale, Robert Maillet, Amanda Brugel, Ryan McDonald, James McDougall

A teenager’s weekend at a lake house with her father takes a turn for the worse when a group of convicts wreaks havoc on their lives.


Directors Jonathan Milott & Cary Murnion are back the directors of BUSHWICK & COOTIES independent genre films made this film which fits into Their usual wheelhouse quote nicely, combining elements from their previous films. Kids and action.

This film was a surprise hit at the box office during the pandemic. Is one of the few movies released that went to drive-ins for the most part.

This is appropriate as the film plays more like a high-concept B-movie. Where you would expect one of the parents to be the one to stop the intruders instead it’s a child. 

This is like a more violent HOME ALONE only done as a thriller. A little girl not only takes on escaped prisoners but literally neo-nazi escaped prisoners.

The violence is so graphic that it is unexpected. It also feels cruel and over the top when it does happen. The fact that a child is involved makes it all the more shocking but kind of understandable as there is no pause, just an onslaught with no real thoughts of consequences. After a while, it gets so brutal that It’s not the violence that shocks but when the film chooses to have some innocence or let it be tame. 

Having Kevin James as the villain is a bit of stunt casting that works and adds to the overall shock of the endeavor.

As the plot line is a kind of home invasion DIE HARD. Where you cheer as she takes out the gang, but the film also offers so much cruelty to any and all. It never quite becomes the crowd pleaser. If the criminals weren’t so hate worthy it could easily be seen as a horror film where the little girl is the monster 

What makes the film so strange is that at times it feels stilted and it is quite sure what type of film or at least tone it wants to be.

It could become an action film but comes off as a thriller but really a horror film. There is even one scene that involves a stabbed eye. That is played for laughs but is quite horrific.

When it comes to Becky as a character. She is more the scary one here. As it is one thing for her to have rage issues because she is dealing with the emotional trauma of losing her mother, but when another family member does In Front of her anger reaches a breaking point, and that fits the scenario. It still feels like this anger and rage were there before and only now is she letting it out. So that she seems more like a psychopath. Where the ending doesn’t leave any answers. Except that she knows she is a dangerous bad-ass

It’s a perfectly fine time waster. Though it feels like a kind of rogue straight-to-home video HOME ALONE rip-off that goes harder than expected. Which it wants to seem more surprising but truly is the only thing that stands out. 

Grade: C

THE PRINCESS (2022)

Directed By: Le-Van Kiet
Written By: Ben Lustig & Jake Thornton 
Cinematography: Lorenzo Senatore
Editor: Alex Fenn

Cast: Joey King, Dominic Cooper, Olga Kurylenko, Veronica Ngo, Alex Reid, Ed Stoppard, Kristofer Kamiyasu

When a strong-willed princess refuses to wed the cruel sociopath, she is kidnapped and locked in a remote tower of her father’s castle. With her vindictive suitor intent on taking her father’s throne, the princess must save the kingdom.


This film was like a female version of THE MUSKETEER. Only that film felt a little cutting edge. There is plenty of action but after a while, it feels very basic and less noteworthy. As the fights are definitely impressive at first but soon become mundane. Not because of the stunt work but because they start to look similar only with a different finish or challenge. As one might wear armor or might have a helmet. 

This film is also like a female teen version of THE RAID only not as violent and not as impressive. Only here the protagonist is working their way to the tower. The most violent act is saved for the villain in the end. It also doesn’t have as much humor but does try to say something about gender roles, even in medieval times.

There is nothing wrong with using previous elements to make a film that reaches a certain audience and while the film at least has its motivations. It still comes off more as an entertainment commercial rather than something with passion or a stronger heart, but if that is what you seek you shouldn’t be too disappointed.

I have to give it to the actress and star of this movie, Joey King. She certainly works a lot and has paid her dues. So it’s nice for her to get a film that she again gets to shine in as a star. 

The film is pretty cut and dry. You get what you expect and it is certainly entertaining with food fight choreography and a Slight sense of humor 

Grade: C-

STRAIGHT EDGE KEGGER (2019)

Written, Directed & Edited By: Jason Zink
Cinematography: Elliott Abel & Christopher P. Purdy

Cast: Cory Kays, Evey Reidy, Julio Montenegro Jr., Sean Jones, Warren Aitken, Travis Manners, Joe Bachan, Jason Zink 

A young punk and a houseful of drunks square off against the gang of militant straight edgers that he’s abandoned.


The title sounds like a punk rock exploitation film or a party film. It is more the before as like the aesthetic of the characters this feels more like a low-budget D.I.Y. Film made about a certain cultural scene. About and for members of that scene as a worst-case scenario. Though it also invited newcomers. 

The villains of the film are obvious as soon as the first scene. 

It shows how a group meant to police punk rock shows against violence, drugs, and alcohol. So it can be safe for all to have a good time and get corrupted from their vigilante beliefs and moral servitude that quickly comes off as fascism. 

As they end up becoming the villains way too fast. Even in the early scenes, they are more bullies than anything. Who then become murderous without a second thought way too willingly. More out of jealousy from one of their own leaving them. They believe him to be influenced away by the punks rather than the continuous abhorrent violence they seem to court is always looking for a fight and behaving more like jocks. As they constantly have a mentality of going to these shows and supposedly enjoying the music but seem to hate everybody else at these shows who are into the music. So that they are exclusive in who should be allowed there and what songs the bands are allowed to perform. 

Where every character has way too much free time and no form of income. Not to mention the residents seem to have no neighbors.

Towards the third act, the film becomes a horror film. It also has an understanding of fighting against fascism all Of them Are supposed to be against.

The straight-edge characters come off as characters not willing to try something new. As well As huge inferiority complexes. And obsessed with their lost member. 

The film is an exciting experiment with conventional set-up and storytelling. As it is ambitious and it seems the director is going with what they know and exposing independent punk rock bands in the process. 

The film comes off more amateurish in the end. Though a nice try as a first film.

Grade: C-

NIGHT TEETH (2021)

Directed By: Adam Randall 
Written By: Brent Dillon
Cinematography: Eben Dolter
Editor: Dominic LaPerriere 

Cast: Jorge Lendeborg Jr., Debby Ryan, Lucy Fry, Raul Castillo, Alfie Allen, Megan Fox, Sydney Sweeney, Marlene Forte, Ash Santos, Jaren Mitchell 

A college student moonlighting as a chauffeur picks up two mysterious women for a night of party-hopping across LA. But when he uncovers their bloodthirsty intentions – and their dangerous, shadowy underworld – he must fight to stay alive.

This feels like a film that is more interested in being cool and having street credentials. Rather than being good or at least entertaining.

Even when it is good, which is rare, it feels like it wants to be stylish over everything. One of the film’s few saving Graces is that style. Not to mention a likable cast.

Which includes a familiar cast as well as two cameos for no real reason but pads the cast list with some more recognizable names.

The story tries to do modern updates and add action. While also having a dive-read cast that makes it become more urban and offers an Us Vs. Them outlook. As the vampires are usually European in lineage and caucasian. Also, the differences seem more upper crust and prejudice against others, not of their lineage.

Whereas the vampire hunters are more people of color but also made more to look like gang members. Even though they are more the heroes of the film.

The film’s story is kind of a horror movie version of the film COLLATERAL. While the film is heavy on the action at times that seems more focused on the horror aspects. The film also feels more inspired by BLADE overall but not quite as good or original as that film. Maybe trying to offer one for a new generation of sorts to claim as their own.

The villain of the film played by Alfie Allen seems more like a brat and not as dangerous. Due to us more being told how bad and dangerous he is but rarely seen. Especially as he barks orders and threatens. Rather than take any Action.

The film seems to show more strength for a character who can only come with power overall. As it plays into too many Hollywood and nightlife cliches of hipness 

In the end, the film feels like a time waster with barely a point other than everyone looks good. While also planting an obligatory love story.

Grade: D