AS TEARS GO BY (1988)

Directed By: Wong Kar Wai

Written By: Jeffrey Lau and Wong Kar Wai Cinematography: Andrew Lau

Editor: Bei-Dak Cheong and Kit Wai Kai

Cast: Andy Lau, Maggie Cheung, Jacky Cheung, Alex Man, Ronald Wong 

Mid-level gangster Wah falls in love with his beautiful cousin, but must also continue to protect his volatile partner-in-crime and friend, Fly.


Melodramatic as it has a bit of the story of the movie MEAN STREETS mixed with a crime thriller. MEAN STREETS Also dealt with a coming-of-age story and a romance that seemed clandestine yet forbidden. While also being involved in a crime syndicate of sorts with a hot-headed friend who seems to always get them both into hot water. 

Just like Martin Scorsese, you can see director Wong Kar Wai’s Style breaking out. Yet a little stuck with a mainstream Story to get more of an audience to watch. The crime thriller elements will be exciting but the heart of the film Is more in the romance and it allows the lead to be tough and sensitive. 

Watching this film is like watching an artist trying his skills in a more conventional Mainstream Movie. He certainly Raises the material higher than it deserves.

The film is definitely of its time period. The 1980’s represented mainly on the soundtrack as usual.

Wai Chooses a familiar American song TAKE MY BREATH AWAY and gives it new depth in a Cantonese version.

Like his later Films there is a love story thrown in that ends up being the film’s heart. Not to mention ensures an emotional investment. As after all within most stories, there is that element instead of focusing on the more violent side of life. Instead, he is interested in showing relationships and what drives them. To show where strength and honor lie.

The film is a cautionary tale on one end and nihilistic. It takes both main characters’ relationships seriously and gives them the same depth. Only one is physically intimate. The other one is loving but troublesome. 

As he is more successful in romance and moves further. On the other end That is how deep into Trouble he And his little brother get into until It gets to the point of no return the third act has to do with proving oneself and machismo  That is Almost like a reminder. This is supposed to be a gangster film

Grade: B-

A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER (1988)

Directed By: Renny Harlin
Written By: Brian Helgeland & Scott Pierce 
Story By: William Kotzwinkle
Based On Characters Created By: Wes Craven
Cinematography: Steven Fierberg
Editor: Chuck Weiss, Jack Tucker & Michael N Knue

Cast: Robert Englund, Lisa Wilcox, Tuesday Knight, Brooke Theiss, Toy Newkirk, Duane Davis, Rodney Eastman, Danny Hassel, Ken Sagoes, Nicholas Mele

Freddy Krueger returns once again to terrorize the dreams of the remaining Dream Warriors, as well as those of a young woman who may be able to defeat him for good.


This sequel was inevitable and had eliminated its link to the past by eliminating the known Survivors of the previous films. This film tries to start anew, by in turn eliminating the survivors from the previous film, quickly.

Unfortunately, actress Patricia Arquette doesn’t reprise her role. So it is recast (one can see why she decided not to come back as she wouldn’t have been around too long or maybe it was rewritten when she decided not to return) 

The main character is around long enough to pass on the torch to the new lead or new final girl of the franchise. As soon as all those around her. Particularly those close to her soon find themselves being inventively dispatched. As she slowly learns to control and use her powers.

The films already lose their spontaneity as Freddy never seems to strike at random but instead always goes after only the main character’s inner circle. Which here is explained away as, since the power she has been passed allows her to bring others into her dreams. It sets up more victims for Freddy. Even though it seems like she only really does this twice.

Again this film is kind of a rebirth. We have another new director Renny Harlin directing this film and offers for the time a more stylish and cutting-edge film. That matches the times MTV editing.

The deaths stay inventive and over time it seems that is how you remember each film by the kills which could almost be themed. Here we have a death In which the character is trained in martial arts and fights Freddy using them only Freddy is invisible.

It’s a modern touch for the time period and even though a bit silly. Matches the theme of teenage dreams and how silly they can be as they feed off the unconscious mind of the participant. Onto what Freddy does is indulge and offer a physical and deadly punchline. As well as a pun to end it on 

While the film tries and certainly has energy. As this is only the second of the sequels where Freddy goes from being scarier. Into a more wisecracking villain. Where the whole point of the films is to give the audience the inventive violence they want. Satiate their bloodlust but be inventive with it. 

This film is unfortunately a step down from part 3. Though it does try and manages to have its own identity. As this film comes off a little more sarcastic and seems more special effects-laden. 

Grade: C+

EVIL DEAD TRAP (1988)

Directed By: Toshiharu Ikeda
Written By: Takashi Ishii 
Cinematography: Masaki Tamura 
Editor: Akimasa Kawashima 

Cast: Miyuki Ono, Aya Katsuragi, Hitomi Kobayashi, Eriko Nakagawa, Masahiko Abe

A late-night TV presenter receives a snuff tape, in which a woman is brutally killed. She decides to take a crew out to a location indicated in the tape, but only death and despair await them.


This is a movie best to go in blind as even if described it can never match the experience of watching it and what actually happens throughout the film. 

The location of the film the warehouse that the characters go through Is a character In itself as it seems the deeper and longer they stay there it seems to get bigger and as they journey along it seems like they are going deeper and deeper into hell on earth. A demented funhouse that seems to be a playhouse for the killer. 

This is a movie I had heard about for a while but from its title believed it to be an Evil dead movie Rip off. 

The irony is that the film actually does at times seem to have homages to the film of Its title’s inspiration with scenes of a rampaging camera going throughout the location. As seemingly whoever the evil is seeking.

You also have to consider when the film was made and released. As it’s a refreshingly original film where you can see the inspiration for many other horror films. In its, DNA is definitely in the SAW movie franchise with the boobs traps and graphic violence and consequences. 

The special effects and make-up are impressive and practical. Especially for the time as you can tell this was a film made with love of the genre 

Unfortunately, one of the few weaknesses of the film is that while trying to serve us sec and nudity, which seemed more common for the genre at the time we get a graphic sec scene but we also get a totally unnecessary graphic rape scene. That really adds nothing but gives the film an unneeded sense of depravity. Punishing certain Characters even more cruelly than needed and for no reason.

This is the kind of film where after a while you kind of give up all hope of sense or the film comes to a logical conclusion and just goes with it the chaos that it offers up and hopes it is worth it or it stays as unpredictable as it has presented itself so far. 

The film doesn’t have a big body count but makes up for it with impressive and original kills. Not to mention piling on the tension at times. Even if towards the end it feels a little long and overplayed. 

Grade: B

BIG BUSINESS (1988)

bigbusiness

 

Directed By: Jim Abrahams
Written By: Dori Pierson & Marc Rubel
Cinematography By: Dean Cundey
Editor: Harry Keramidas 


Cast: Bette Midler, Lily Tomlin, Fred Ward, Edward Herrmann, Barry Primus, Michael Gross, Mary Gross, Seth Green, Deborah Rush, Joe Grifasi, John Vickery, J.C. Quinn, Patricia Gaul 


In the 1940s in the small town of Jupiter Hollow, two sets of identical twins are born in the same hospital on the same night. One set to a poor local family and the other to a rich family just passing through. The dizzy nurse on duty accidentally mixes the twins unbeknown to the parents. Our story flashes forward to the 1980s where the mismatched sets of twins are about to cross paths following a big business deal to close down the Jupiter Hollow factory.

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MOVING (1988)

moving

Directed By: Alan Metter
Written By: Andy Breckman
Cinematography: Donald McAlpine
Editor: Alan Balsam 


Cast: Richard Pryor, Beverly Todd, Randy Quaid, Dana Carvey, Stacey Dash, Traci Lind, Morris Day, Gordon Jump, Dave Thomas, Lynn Marie Stewart, Alan Oppenheimer, King Kong Bundy, Leslie Jordan 


Arlo accepts what seems to him to be a dream promotion to Idaho. He soon discovers, however, that moving has its own share of problems. The film is more of a situational comedy than a movie. As it just seems like every new scene there is a ridiculous adventure the film gets distracted with and an equal ridiculous solution to it.

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CADDYSHACK 2 (1988)

Directed By: Allan Arkush 

Written By: Harold Ramis & Peter Torkovei 

Based On Characters Originally Created By: Brian Doyle Murray, Harold Ramis & Douglas Kenny 

Cinematography: Harry Stradling 

Editor: Bernard Gribble 

Cast: Jackie Mason, Dyan Cannon, Chevy Chase, Robert Stack, Dan Aykroyd, Randy Quaid, Jonathan Silverman, Jessica Lundy, Paul Bartel, Marsha Warfield, Dina Merrill, Brian McNamera, Chynna Phillips, Pepe Serna Jack Hartounian


A self made man is trying to get into Bushwood County Club because his daughter’s being asked by her snooty friends. Jack applies but a few things ruins his application, one that he’s extremely boorish and because he is building low cost housing in an affluent neighborhood. Jack then turns to Ty Webb who owns the majority share of the club, Jack buys Ty’s shares and then takes over the club and makes some changes which the members don’t like. That’s when the club members attack Jack by stopping his housing project. Eventually they decide to settle it on the golf course but the club president decides to take contingencies.


It’s Already hard to follow up as a sequel to a comedy classic.

The film tries to throw everything against the wall to work and it still ends up a mostly unfunny mess. one usually tries to see the good in most films and while at times it tries to be amusing this is obviously more of an obvious cash grab with little to no heart. If not a cash grab (as most films are either way) This seems more of a situation where the film began one way and this is what the powers that be consider salvaging it.

The movie still has the same basic theme of Snobs Vs. Slobs. Though it doesn’t include the rivalry so much amongst the staff as much. Taking out the wacky side characters and also making it more mature. As there are teenagers but they are college students and other then a kind of romance. They aren’t used that much. So it basically eliminates the teenage element and seems to be more centered around anti-semitism though it proves to be the only subtle thing in the movie.

The film manages to get original cast member Chevy chase to cameo as the film tries to retain the flavor of the original. In the absence of the rest of the cast of the original they have Dan Aykroyd in a small role similar to Bill Murray’s but you end up not caring even with a very inspired off the wall comedic performance from Randy Quaid. That was originally intended for late comedian Sam Kinison. Still it feels like when anyone famous shows up in the movie it feels more like they are guest starring more than acting or playing a character.

Randy Quaid appearing in this film is kind of prophetic considering he ended up starring in DEAD SOLID PERFECT an acclaimed cable original movie where he played a golfer and was nominated for an Emmy for the role.

The film was originally written to star Rodney Dangerfield. Basing the movie around his character from the first film. He was willing to until he read the script then dropped out. You can see the signs during this film for it to be more built around his character. Just as the film tries to copy the character types from the first film but not be as rebelious or daring in it’s comedy.

Jackie Mason as the lead can’t really act and is hard to be likeable. Though with Mason’s casting the movie has a kind of Wasp against Jewish and all outsiders making it more a film that is not only anti-semitism but also against prejudice. Though it doesn’t help that his character is vert hard to like, but the film tries to convince us is charming to others. Even as most of his friends seem to be only people who work for him.

The film tries to skew as much to the original as far as familiar roles. Though here they lose the teenage coming of age angle. It’s here in the form of college students who get a lot less screen time. As the film prefers to stay on the adults and even when staying on the more adult characters the film is so family friendly that all the raunch that was a staple of the first film is washed out and stays pretty bland. Like this film is more aimed at kids.

It also takes away from the more working class elements of the original to be more of a generational wealth versus a newly rich theme.

There is a romance thrown in for the younger characters and even Mason’s but it’s useless as they all come off as types instead of characters. As the daughter of Jackie Mason’s character played by Jessica Lundy dates the WASP son of the golf course owner and discovers she has more chemistry with the caddy Played By Jonathan Silverman who we actually learn little about.

What is also missing is that the original was hard core rude and anti-establishment. This film is More corporate safe almost family friendly.

When I watched this as a kid I remember Robert Stack from UNSOLVED MYSTERIES in an acting role was big for me. Not knowing he was already an accomplished actor. Him playing the villain here to perfection.

One aspect that has stayed with me over the years when it comes to the film is the main theme song played at the beginning. Though listening to it now is more a cheesy nostalgic pleasure.

Grade: F