A college student moonlighting as a chauffeur picks up two mysterious women for a night of party-hopping across LA. But when he uncovers their bloodthirsty intentions – and their dangerous, shadowy underworld – he must fight to stay alive.
This feels like a film that is more interested in being cool and having street credentials. Rather than being good or at least entertaining.
Even when it is good, which is rare, it feels like it wants to be stylish over everything. One of the film’s few saving Graces is that style. Not to mention a likable cast.
Which includes a familiar cast as well as two cameos for no real reason but pads the cast list with some more recognizable names.
The story tries to do modern updates and add action. While also having a dive-read cast that makes it become more urban and offers an Us Vs. Them outlook. As the vampires are usually European in lineage and caucasian. Also, the differences seem more upper crust and prejudice against others, not of their lineage.
Whereas the vampire hunters are more people of color but also made more to look like gang members. Even though they are more the heroes of the film.
The film’s story is kind of a horror movie version of the film COLLATERAL. While the film is heavy on the action at times that seems more focused on the horror aspects. The film also feels more inspired by BLADE overall but not quite as good or original as that film. Maybe trying to offer one for a new generation of sorts to claim as their own.
The villain of the film played by Alfie Allen seems more like a brat and not as dangerous. Due to us more being told how bad and dangerous he is but rarely seen. Especially as he barks orders and threatens. Rather than take any Action.
The film seems to show more strength for a character who can only come with power overall. As it plays into too many Hollywood and nightlife cliches of hipness
In the end, the film feels like a time waster with barely a point other than everyone looks good. While also planting an obligatory love story.
Directed By: Richard Franklin Written By: Everett DeRouche Cinematography: Don McAlpine Editor: Edward McQueen-Mason
Cast: Susan Penhaligon, Robert Helpmann, Rod Mullinar, Bruce Barry, Julia Blake, Helen Hemingway, Maria Mercedes
A comatose hospital patient harasses and kills through his powers of telekinesis to claim his private nurse as his own.
This is one of those films that has been recommended over the years as a horror classic; it has even been remade once. Which I have yet to actually watch. Just as I kind of wish I never watched this movie.
The film has a great premise and story but the follow-through is mostly dull and feels protracted. With a slow follow-through.
It tries to have an atmosphere and come off more as a drama that’s trapped and has some horror elements.
The film does have some chills but does little with them. You wait around for something to happen or at least become stronger. Which rarely comes and when it does it feels lame.
There is some decent jump Scares especially at the end but it never feels worth it. As the film doesn’t bother too much with the why’s.
The film feels more quaint than a horror film. As if looking for blood or violence this do not the film. It gets by with more scares and suggestions. Almost like an improv
You will be able to predict the victims, but not necessarily the deaths. Maybe this is more if a think audience members horror film because of a keen lack of flash and excitement
Directed By: Jill Gevargizian Written By: Jill Gevargizian, Eric Stolze & Eric Havens Cinematography: Robert Patrick Stern Editor: John Pata
Cast: Najarra Townsend, Brea Grant, Jennifer Seward, Sarah McGuire, Davis Derock
A lonely hair stylist becomes obsessed with the lives of her clients and descends into murderous madness.
When first encountering this film with its premise one would think the movie would go for the more campy or over-the-top ridiculous route considering its storyline. Shockingly it doesn’t.
It doesn’t even go for a female version of MANIAC. What it does manage to do is set a specific creeping tone that is delicate and feels like a tragedy as it goes through the motions.
While it is bloody the violence doesn’t feel gratuitous. Which makes it a little more shocking when it does. Especially the initial scalping.
It also makes the deaths in the film feel a little more personal and tragic. Even when not really getting to know the characters being killed. So it makes the film feel all the more realistic.
It also paints the character with a fair amount of sympathy. As the film keeps her past a little more mysterious. You can tell there is mental pain and an Illness going on. This leads actress Najaraa Townsend to express and communicate with very little dialogue and plenty of body language.
Brea grant also makes an impression as her client and the person she reaches out to most of all which gives the film also a kind of homoerotic feel in scenes between them. Even when trying to bond.
The film mostly comes off as a dark character study and ends up being deeper than expected and admirable for it.
Directed by: Dave Franco Written By: Dave Franco & Joe Swanberg Story By: Dave Franco, Joe Swanberg & Mike Demski Cinematography: Christian Sprenger Editor: Kyle Reiter
Cast: Alison Brie, Dan Stevens, Sheila Vand, Jeremy Allen White, Toby Huss
Two couples on an oceanside getaway grow suspicious that the host of their seemingly perfect rental house may be spying on them. Before long, what should have been a celebratory weekend trip turns into something more sinister, as well-kept secrets are exposed and the four old friends come to see each other in a new light.
This is a fascinating film, as at first, it seems like it will be a relationship movie mixed In as a thriller, but then in the third act it goes full-on horror film.
It is a film that is best to go blind into. As part of its charm are the surprises and twists. Which won’t be told but will be hinted at throughout this review.
Like the nature of the film We sit back and just watch the characters. We are rescued to them more in the middle as they are coming upon this rented house. We start to get the feel of the characters and their relationships toward some another.
Which takes over the first half of the Movie. It becomes more claustrophobic when an action happens that ends up In a secret that two of the characters are desperate to keep. Which is where the terror starts. What could have easily been settled by calling the cops grows into more problems than pushes them apart and complicates the situation.
It also helps that there is a lot of set up’s that are hinted at before. As it gets deeper there is much more interference in the characters’ lives.
I give credit to director and co-writer Dave Franco for making a film that most actors making their debut films Don’t do at first. It seems he is making a more melodramatic film. But then he ends up making a more popcorn audience-friendly film. That is a bit more commercial while being able to stick to its indie and dramatic roots.
The characters aren’t dislikable but do come off as a bit privileged and annoying. At least two In particular do the ones with the secret. Though the actors are all solid.
Though not as gory or action-oriented as the collector films and franchises. This film does remind the audience of those films in the fact that it almost can easily be designed as a franchise or sequel. Though if there is one since the secret is out, they have rearrange the film to be surprising.
Written & Directed By: Howard R. Cohen Story By: Jeff Begun Cinematography: Daniel Lacambre Editor: Kent Beyda & Joanne D’Antonio
Cast: Richard Benjamin, Paula Prentiss, Jeffrey Tambor, Kari Michaelsen, Kevin Brando, Severn Darden, Roberta Collins
Primarily a spoof of the Friday the 13th series, but also takes shots at several other horror films. After his family moves to a new house, a young boy discovers a mysterious book describing the curse hanging over the date of Saturday the 14th. Opening the book releases a band of monsters into the house, and the family must join together to save themselves and their neighborhood.
This was a movie that I would always see the poster or the box for when I went to video stores as a kid but never pulled the trigger to rent it. That now later in life I finally got a chance to catch up with.
If I saw this as a kid I wonder if the film would have been funny to me with its goofy humor and spoof spirit. That for all its failing would make it a nostalgic favorite.
As I watch it now the movie is terrible all around. It has a loose non-existent plot. It’s not funny and the monsters all seem to be wearing obvious costume suits. The film makes little sense and just seems to try to string together scenes and find an excuse for a monster to come forth.
Not that it was ever In Danger of being scary. You hope that once in a while it will at least be funny, but most of the time it seems like they are throwing jokes against the wall to see what will work and none of it does. Instead, it keeps making a mess.
One would hope with the names in the cast there would be something redeeming about the film and a reason they would say yes to being in the film. Unfortunately, there isn’t.
Richard Benjamin’s character never seems to see any of the obvious things happening around him or at least never acknowledges it and then when finally when gets on the page with the other characters he never quite seems to react
The film isn’t even fun to sit through. Though it must have had some kind of success as it had a sequel several years later.
Written & Directed By: Damien Chazelle Cinematography: Linus Sandgren Editor: Tom Cross Music By: Justin Hurwitz
Cast: Ryan Gosling, Emma Stone, John Legend, Rosemarie DeWitt, J.K. Simmons, Finn Wittrock, Callie Hernandez, Jessica Rothe, Sonoya Mizuno, Valarie Rae Miller, Tom Everett Scott
Aspiring actress serves lattes to movie stars in between auditions and jazz musician Sebastian scrapes by playing cocktail-party gigs in dingy bars. But as success mounts, they are faced with decisions that fray the fragile fabric of their love affair, and the dreams they worked so hard to maintain in each other threaten to rip them apart.
This is a big Hollywood epic with an indie sensibility.
The film Might be overpraised by some but doesn’t mean the film is without merits.
There haven’t been really too many musicals lately this one came along and is more the classical with having a more avant garde way of telling the story but in a more mainstream way of advancing story and having an emotional core with the songs. Instead of them being an extravaganza meant to be show stoppers and really just there to dazzle.
Though the movie can easily be written off as trying to tell It’s story in a classic mode that hasn’t been sued in a while and going. For a certain glory. This film feels like it can only be told in this way
As the film Shows a love of the genre as well as playing by the rules and adding a spin of it’s own. As it Also has a kind of successful A STAR IS BORN type story. Only without the heaviness of a tragic ending. Though it does have it’s own tragic ending of sorts.
The ending is tragic in that it offers up some hope at first before letting the wind out of the soaps of the audience. That reminds the audience of the reality vs fantasy sequence in 500 DAYS OF SUMMER. It’s beautifully and so emotional that every note feels like a moment. Though it is meant to pull on your heartstrings and have an emotional reaction yourself which makes it all the more memorable. As the characters and we Review and look back over all the decisions might they have had a chance to go another way. Not to mention a future that could have been.
An homage to musical while being one itself though owing more to European ones which they share the theme of success but tragedy choosing to show the peril Of the relationship that goes with individual success the difference between art and commerce with a kind of ending that fools us with that could have been making the wound hurt more.
Which is where it doesn’t Feel as familiar in the second half the after the happily ever after even if it involves a character who kind of appropriates culture though more to a degree but that is more subjective than anything a romance at least. Though through it all the film Wears it’s influences and even if knowing where it is going leaves surprises or at least attempts them. Which keeps the audience on it’s tied and excited as the film goes along.
This shows A love of film and a great love story that might remind many of theirs or at least a dream one they wish they had. A reminder of CinemaScope and technicolor musicals of all ages. As it is hopeful and energetic but shows struggling and settling then finding fame and success and it’s painful aftermath. That while great for the individual is not healthy for a relationship. As one might have to settle or give up their dreams and drive for the other to prosper.
A story that shows of old Hollywood and jazz, A throwback simpler classy times. There is Nothing vulgar about it. Which is becoming increasingly rare in movies these days. At least when it comes to movies that have a certain pedigree.
The Dancing is noteworthy. It not phenomenal to show the characters are human and normal. The magic you feel and how strong those emotions or how you wish they would be. The First half feels like a broadway musical almost as it gets closer to reality and more serious less and less musicals
The film Feels like a fair sided testament. The film is infectious and makes you want to watch More as it stays inventive.
The filmmakers previous films all have music or revolve around it. So that you can tell he has a passion for it and in his storytelling here it is goes hand and hand with the story. As This feels more a continuation of GUY AND MADELINE IN THE PARK his first film. WHIPLASH his next film takes place around music and passion but also seemed more dramatic, destructive and dark.
This film Almost feels like a film stitched together from your favorite parts of songs and movies the scenes you fast forward or rewind over and over to get to. Though under a different or new coat. It owes a deep debt definitely to it’s influences like YOUNG GIRLS OF ROCHEFORT and UMBRELLAS OF CHERBOURG
Directed By: Howard Zieff Written By: Janet Kovalcik Based On Characters created by: Laurice Ehlewany Cinematography By: Paul Elliott Editor: Wendy Greene Bricmont
Cast: Anna Chlumsky, Austin O’Brein, Richard Mausr, Christine Ebsrsole, Dan Ayckroyd, Jamie Lee Curtis, Gerrit Graham, Ben Stein, Keone Young, Devon Gummersall
Vada Sultenfuss has a holiday coming up, and an assignment: to do an essay on someone she admires and has never met. She decides she wants to do an assignment on her mother, but quickly realizes she knows very little about her. She manages to get her father to agree to let her go to LA to stay with her Uncle Phil and do some research on her mother. Once in LA, she finds herself under the protection of Nick, the son of Phil’s girlfriend, who at first is very annoyed at losing his holidays to escort a hick *girl* around town. However, he soon becomes more involved in the difficult search.
This film is just as warm and charming as the first film. Though weaker overall in feel and subject matter
This is the last film that Howard Zieff directed, because he became increasingly debilitated by Parkinson’s disease. Carrie Fisher was also an uncredited script doctor on this film
It’s character from the first film we feel a connection with and want to see what is happening in their lives, but the movie offers less of a reason. So that it feels more like we are dropping by while something is developing . Which might have. Even the movies aim, it just never feels as compelling and things seem to happen more in a leisurely pace.
Which makes it seem like a film that adults might appreciate more then kids. Unless they are just connected to the characters from seeing the first film.
It goes more into the hippie lifestyle that she is around as well as delving more into a friendship than romance
The thing that is missing is that in the first film it was a coming of age story and we were introduced to her making her way through the world and seeing how her family worked while this outsider came in. As well as including a tragedy that you knew was coming
Though this film feels less needed than that film As it feels more like an unnecessary continuation of a story and characters where we leave half of the character from the original who appear more in a cameo. Which also loses some of the charm. As it’s nice to see them but we don’t get to see as much of them as we would Like.
And now she is dealing more with her uncle form the first film who here has a bigger part and we get to see him more humanized in his relationship with her and a romantic one. So we are dealing with the original character in a whole new landscape which seems smart, but isn’t as precious as the character is older and a lot more knowledgeable. It stays clean but she isn’t as naive.
Here the character is doing research more into her deceased mother which is what take up most of the films actions and time. She is also in a strange location for her. So she is exploring new territory. While being around the counter culture she still manages to stay innocent.
Strangely though older she is less boy crazy and fascinated by relationships. Which seems to be why by the end she finds herself in a minor one. Though still not really having any female friends. Which the film starts with her having but losing them to jealousy.
Anna Chlumsky has always been an earnest actress her performances have always felt truthful and soulful full of confidence. She is charming and is energetic in her performance. That feels adventurous and guides each performance she has. Though at least throughout she stay confident. Which leaves a good message and role model for little girls watching it and seeing themselves In the character. Luckily over the years she has come back as a major actress in adulthood and been Emmy nominated quite a few times on the award winning television show VEEP
Maybe it is that I grew up watching and dealing with the first film emotionally so that when the sequel was finally announced. –I looked forward to it and built it up on my head so that when i finally saw it I couldn’t help but find it disappointing. More as me and other might have grown out of it. As it came too little too late.
Now this is not a bad movie at all. If anything it feels heartwarming
Though it works as a continuation of a character like in the films MY AMERICAN COUSIN to AMERICAN BOYFRIENDS, also THE YEAR MY VOICE BROKE to FLIRTING, only skewing younger. Though offers motivation and moving into more adult themes for the characters here it maintains an innocence for everyone
The supporting characters are fun if not too memorable. The investigation is not that interesting or encompassing they seem only there to keep the story moving and the characters moving allowing for some developments.
Not too much of a side story by introducing another suitor for the uncle’s girlfriend.
This was a sequel that I was looking Forward to even though I was old enough to be skeptical and think how were they going to be able to equal the power (at least for me) of the original. As one Wanted to see the further adventures of Vada.
Which is exactly what this film does. She is a little older abd the film transports her out of her hometown into sprawling San Francisco. Bigger city for bigger adventures. As this film comes off more as episodic.
The seed are planeted early in the film. When her friend who we last saw her playing. With st the end of the original. Is jealous and ditches her for a boy who seems to constantly be flirting by with vada and vada In turn has no interest in nor picks up on it.
So as she searches for stories about her mother. The movie revolves around relationships. Her uncle and his girlfriends. Her and the girlfriends son who accompanies her everywhere In her fact finding mission and even her relationship with her mother and accepting her stepmother and her soon to be born Sibling.
That is what most films are about relationships. This one offers a bit of romance between her and the girlfriends son but other then a kids that is as deep as it gets.
One of the charms of the original so is that it came out of nowhere and had a more natural sense of character as well as generally good innocent humor for the most part. So that it felt like a gem out of nowhere that was also felt classical in A small town novel way. It felt comfortable.
Where as this film feels like most of the film it is stretching and feels way too planned out. It feels more designed then coming off natural and it kind of spoils it.
The film Still has some off the wall charm but not enough to make this film feel like it is worth the effort.
Though then Again I might be wrong as I was younger when the first film Came out and more cynical when the sequel came out and might have believed I was above it all. Kids might actually like it. So might those who took the first film to heart. Even though I did and still found myself disliking the sequels
Directed By: Ross Katz Written By: Jeff Cox & Liz Flahive Story By: Nick Kroll, Jeff Cox & Liz Flahive Cinematography By: Vanja Cernjul Editor: Paul Frank
Cast: Nick Kroll, Rose Byrne, Bobby Canavale, Joel McHale, Bobby Moynihan, Paula Garces, Caitlin Fitzgerald, Jane Krakowski, Mike Birbiglia, Jason Mantzoukas, Sarah Steele, Josh Charles, Julia White, Jeffrey DeMunn, Seth Barrish
A young, narcissistic entrepreneur crashes and burns on the eve of his company’s big launch. With his entire life in total disarray, he leaves Manhattan to move in with his estranged pregnant sister, brother-in-law and 3-year-old nephew in the suburbs – only to become their nanny.
This isn’t a film that exactly reinvents the wheel. It is obvious, so obvious it almost feel sitcom comical. Though it does have a sweetness to it and a nice albeit lite message.
The film is rather basic and simple. As we watch middle aged characters. Afraid truly of growing up and taking responsibility and slowly learn how to do that. As they must. As they seem to be coasting through life, but not ready to come to grips with responsibility and the future
As the characters all have an idea in their head of where they would be at and what they should be doing. They have all made it to a degree but wonder now what. As they find themselves unhappy and dissatisfied. We watch their journey as at first it seems they will have to make it on their own as they don’t trust one another. Though as the film goes along we watch them depend on one another. Then betray one another of sorts.
The film is essentially about family and learning life lessons. Luckily the film and direction have a very lite and soft hand. So it never becomes too jaded or heavy handed. As we watch the characters in raising a child finally learn to grow up. With plenty of comedic hijinks that get to the point rather quickly.
Nick Kroll is more serious then we see him usually though is still in a majorly comedic role. So it’s nice to see his range.
Rose Byrne is fun in her role which seems like it will be more of a tragic. Though through the subtlety of her role makes it memorable and quite cute. As she seems to be the most fragile but also level headed character.
Bobby Canavale is more the link head who is messing up and knows better but is looking to love past glories and hope it will revitalize his life. Though he knows what is at stake and what he could lose.
The rest of the cast is fine. Though not necessarily strong and noteworthy.
The unexpected rears it’s ugly head as characters you believe will be helpful and fun end up being more mean spirited but at least feel true. Showing the harshness of the world they live in and how they can only really depend on one another.The film does lend itself to plenty of comedic moments. As the cast is made up of comedic performers. The moments don’t come off as natural and more at tie a as send up’s of types of people, but they do work.
Edited, Cinematography, Written & Directed By: David Lynch
Cast: Laura Dern, Justin Theroux, Grace Zabriskie, Jeremy Irons, Harry Dean Stanton, Diane Ladd, Julia Ormand, Mary Steenburgen, Masiumi Max, Amanda Foreman, Terry Crews, Jordan Ladd, Ian Abercrombie, Cameron Daddo, Jerry Stahl, Nastassja Kinski
A blonde actress is preparing for her biggest role yet, but when she finds herself falling for her co-star, she realizes that her life is beginning to mimic the fictional film that they’re shooting. Adding to her confusion is the revelation that the current film is a remake of a doomed Polish production, 47, which was never finished due to an unspeakable tragedy.
I’m sorry I didn’t know what was going on half the time watching this film. It seems a film that is made more to test your interpretation or at least seems more like an art installation as film. Though truthfully might be the pinnacle and thesis of David Lynch’s filmography. Throwing any linear content out the window practically.
This seems more a film born out of his imagination and a kind of statement for him. As after all Supposedly This movie started with a phone call Laura Dern received from David Lynch asking if she wanted to come and experiment with him. That started the journey as the movie was filmed over several years and both of this films stars admit they don’t understand or what is going on in the film.
This movie makes every David Lynch movie from BLUE VELVET to MULLHOLLAND DRIVE look mainstream. This film is dark at times yet continuously feels unfocused for the audience while David Lynch directs with a sure hand. he does all the work here on his own for the most part it seems behind the scenes. So this is more his total creation. This is like an abstract painting brought to life on film. I think even if you are a David Lynch an this will test your boundaries of love for him.
In this movie there are scenes and shots of such beauty that only last a limited amount of time soon the film becomes tedious because it’s over two hours long. Now yes Andy Warhol would have loved it and called it a masterpiece and so will a lot of pretentious art film fans. Maybe it is. Maybe It’s just an abstract artist wavelength.
Now Mr. Lynch is a talented filmmaker, even in it’s moody overtones. Each scene breathes with life and opportunities that could take to scene and movie into parallel choices but it seems to just soldier on. Just like there are scenes where the film gets very interesting and seems to move only to be cut short abruptly and disappear.
I did really admire the camerawork and the end credits sequence as well as some scenes and Laura Dern’s performance as she is in the whole film and has to somewhat figure out what is going on as well as be surprised as she goes along throughout. Her performance I can understand. Because she gives it her all and she is challenged at each turn and gives all she can at each turn. Bringing some kind of understanding and emotion into all of this darkness.
The reasons you think but for the fluid camera movement and music selection. This is a should have been movie especially with the ending. I believe we look for meaning or at least a linear story in David Lynch films and when he doesn’t give it to us. We try to read too much into it and maybe give little things that are non sensical more meaning that it has. It could be just a glitch but these directors who don’t speak on their films really are hiding the secret because audiences praise them as geniuses and all it is is a mistake plain and simple or something that was forgotten looked on or couldn’t afford to fix. But the audience feels the director is being subtle or that audiences just don’t get it. Maybe we do more than you but you believing yourself to be superior and needing to have something to believe in or influenced by your artistic friends taste or maybe I’m an idiot who knows this isn’t a philosophy class. I just wanted to state my beliefs.
This is one of those films I believe film lovers and fans of lynch need to see. Though I can say definitely watch it after you have seen all of his other films and can’t say you will enjoy it. Though there is nothing like it and it’s a movie I will say I will most likely only watch once. From what I can understand is that Laura Dern is playing in a movie that is a remake of cursed early black and white film. From the line between reality and film and film within a film are blurred. Sorry I didn’t like it but I do like other Lynch movies just not this one.
Directed By: Kyle Newacheck Written By: Anders Holm Story By: Anders Holm, Adam Devine & Blake Anderson Cinematography By: Steve Jablonsky Editor: Evan Henke
Cast: Adam Devine, Anders Holm, Blake Anderson, Rhona Mitra, Neal McDonough, Sam Richardson, Steve Howey, Utkarsh Ambudkar, Daniel Stern, Aya Cash, Andrew Bachelor, Sugar Lyn Beard, Chloe Bridges, Mac Brandt, Jon Garbus
Three friends are on the verge of getting their video game financed when their benefactor is taken hostage by terrorists.
This film is brought to you by the guys behind the television show WORKAHOLICS. This movie is like an unadulterated, uncensored episode of the show. Which I can admit I was a viewer of which is why this film comes across as a guilty pleasure for the most part.
This film seems like it could have been a contender at the box office, but is better served on Netflix. Where it will appeal to their audience and allow them to gain a bigger one.
The leads are playing variations of their comedic personas only more extreme. As they as a group seek to be successful with several million dollar ideas. So that they can claim some significance in their embarrassing roles in life at their job.
One so the bombastic blowhard who has made himself the leader, the other is an idea man who is a stoner and the third is more the nerdy shy buttoned up type. Who find themselves basically in a die hard situation. As the film works as a parody of that film also.
What works with this film is what works with the best comedies. The film isn’t just them Doing Funny and crazy stuff while everyone around them plays it straight and reacts to them. The film allows most of the other characters to be as wacky and crazy. Even allows by the film to focus for whole scenes and time periods on other characters.
The fun in is watching some of the villainous archetypes play out a little more different some more human or at least realistic to life.
As mentioned before this film is uncensored in all aspects. So there is plenty of graphic violence, gore to a degree and also male full frontal nudity.
The film plays contained as it takes place mostly in the hotel they work at. There are no surprises when it comes to the villains. Except how they are played at times.
In one way you could easily find the film insulting as it is more shocking frat type of juvenile behavior. Seen more through the lens of young white males. Even as this is not the type of film to really look for equality and political correctness in. The film tries to be fair to everyone, especially the females and not have them just be window dressing or damsels in distress. Though they don’t get as much action and attention. Though I will say Jillian Bell in her cameo in the film steals the scene and is provides the funniest laugh in the film.
As the film has plenty of pop culture references but also quite a few celebrity cameos. Which are hilarious and truly show that no one is safe in this film. Even the title is a quote from a popular line from the movie ALIENS. Said by the late great actor Bill Paxton
The film has no depth but stays entertaining. If you are a fan of their show or them as comedic actors and performers. You will definitely enjoy the film. As at least as you know the scenario the film offers surprises and doesn’t come across or lazy or phoning it in as more and more studio comedies and comedic actors are coming off as more and more at times. Like they are doing their schtick but they don’t even see inspired or into it anymore. So at least this film comes across as guys who are creative coming up with laughs and doing it for themselves as well as wanting to serve the audience.
This feels like a comedy from a new age. Definitely not watered down
Cut To The Chase 